“The Spirit of Catalina” A Masterpiece Mural by Roger Dolin Protected with MuralGuard

Posted on January 8, 2024 by Scott M. Haskins
This blog post has been syndicated at ExpertClick.com. What does it mean that this article is “ syndicated”? See end of article for explanation.

When planning a public art project, the process should include looking into the future to predict what may be needed to protect and maintain it. Such was the foresight of mural artist Roger Dolin and art patron, Jack Tucey when they planned a new monumental mural 16′ x 75′ in the city of Avalon on the Island of Catalina in California. Jack entitled it “The Spirit of Catalina”… Roger entitled it “Independence Day Parade 2016 Avalon, Catalina” lol… The new mural covers the entire exterior wall down to the asphalt of the parking lot and is accessible by the public 24/7. And even though there is not a big problem of graffiti in Avalon, the concern was protection against vandals and also the protection against the weather (the ocean is 1 block away).

It is indeed a masterpiece and those of the neighborhood feel a strong “pride of ownership” which will hopefully be the motivation for controlling the effects of vandalism, which has been the case of another mural on Balboa Island in Newport Beach that is now going on 15 years in an equally accessible location and is still nice and clean and the pride of the neighborhood. See this mention in the article: https://www.fineartconservationlab.com/murals/public-art-murals-graffiti-protection-coating-our-multi-layer-applications-is-put-to-the-test/

The monumental mural in Avalon, Catalina Island (off the coast of Los Angeles, California) is the largest public art in the city and the masterpiece of a lifetime by mural artist, Roger Dolin. Its extraordinary and entertaining because of the colors and actions of the Independence Day Parade – Avalon, Catalina Island with 4 life-sized Clydesdales pulling their Budweiser beer wagon, the performance of the USC Marching Band, local personalities and townsfolk peppered throughout among the plentiful patriotic flags, banners, clowns and blow-up-air-filled-fun-figures and general hoopla! The mural was completed this week… yesterday… Nov. 9th.

Not only was special attention given to the planning and layout of the subject matter by the artist and the patrons, local business-couple Jack and Nora Tucey, but the intention is to have this public art last for generations. For this reason, artist Roger Dolin brought on board as his consultant, Scott M Haskins, Art and Mural Conservator who has decades of experience analyzing and treating murals that fall apart. Dolin’s painting technique involved painting the composition in his studio on 4’ x 8’ sections of polyester fabric with acrylic paint. Then the painted sections were assembled on the mural’s wall, like a puzzle, with an acrylic gel medium and the joins or seams of the edges of the sections were painted out to give the mural a continuous appearance. A final varnish was applied as a protective coating.

Haskins, and his company Fine Art Conservation Laboratories, are renown for their consultation contracts that guide artists and city governments in ways they can protect murals and other public art from vandalism and ensure that they will age better, holding together longer for future generations. Presently some of those entities include the city of Los Angeles, the City of Santa Monica, the City of Indio and the State of Washington. Click here for more info.

This is not Roger Dolin’s and Scott Haskins’ his first rodeo! Both are experienced veterans with hundreds of murals to their credit. Besides the construction of the mural, Haskins has worked with Dolin in the past by helping to apply protective coatings on his murals to protect them against weather related damage, ensure the eventual removal of graffiti easier, safer for the mural and more efficient and more economical.

The mural’s protective coating on this mural is MuralGuard, formulated and analyzed with consultation of the mural conservation profession. Artificial aging tests stressed the coating for over 20 years before they turned the equipment off as they saw no changes in the stability, color/clarity, or appearance of the material. Since that period of testing, the company has continued to make improvements in the product. It is classified as a non-sacrificial protective coating and comes in matt, semi-gloss and glossy. Independence Day Parade, a 16’ x 72’ mural was coated with 4 layers/coatings of the glossy finish in order to transmit the best color, depth of field, best contrast in the composition and the best level of protection.

Scott Haskins in the foreground… Roger is in the scissor lift.

You can call  Roger Dolin’s mobile is 818 635 5273

Questions? Scott M. Haskins

805 570 4140 faclartdoc@gmail.com

Address of the mural location: 112 Clarissa Ave, Avalon Bay, Catalina Island.

https://www.youtube.com/watch?v=-ZX_TEI5mvs  Anheiserbush video

https://www.youtube.com/watch?v=deraNb0zj0A

https://fb.watch/ofRcXDXSdM/ ( local TV)

Here are links to posts from MuralGuard. 

IG: https://www.instagram.com/reel/Czgv0Z1MpzK/

FB: https://fb.watch/oftQBkr6xr/?mibextid=qC1gEa

LinkedIn: https://www.linkedin.com/posts/rainguard-brands_rainguardpro-muralguard-avalon-activity-7129136245053521920-Sf73?utm_source=share&utm_medium=member_ios

Article Syndication Graphic.jpg

This blog post has been syndicated at ExpertClick.com. What does it mean that this article is “ syndicated”?

Its a bit of a coup to get an article syndicated, and its certainly prestigious, as additional “proof” that the info and the author are considered far and wide authoritative and an expert in the field. So, enjoy and trust our content!! This article was syndicated for USA national redistribution.

When something is published, usually by a news source, and is made available through different venues for redistribution then it is said to be syndicated. Publications that are syndicated are usually considered of value as being from an expert, educational, new worthy or valuable for wide popular interest. See syndication page at the renowned publicity site: https://www.expertclick.com/NRWire/Releasedetails.aspx?id=301584

This website’s syndication included:

1) Included in the ExpertClick Press Room as a ‘press release.’ (different than a ‘news release’)

2) Included in the ‘Speaker Bureau Platform Page.’

3) Shown on the front page of ExpertClick, in rotation with other most recent posts.

4) Shown in the ‘News Release Results page.’

5) Included on optimized for searches on all my topics of expertise.

6) Shown via RSS linked from the Press Room. (A specific way news is actively distributed within the industry)

7) Shown in the full RSS feed from ExpertClick. (Another, different specific way news is actively distributed within the industry)

8) Syndicated to LexisNexis.com As of 2006, the company had the world’s largest electronic database for legal and public-records related information, distributor of academic content and expert opinion.

This article has been syndicated at https://www.expertclick.com/NRWire/Releasedetails.aspx?id=300056

Posted in FACL in the media, Murals, Saving Public Art | Tagged | Leave a comment

An Art Conservator’s Step-by-Step Guide on How to Hang a Painting

Posted on December 30, 2023 by Flora Arguilla

Do you know how to hang a painting? It’s okay if you don’t – I see paintings that have been damaged or are on the verge of falling off of their hanging hardware all the time. Here’s an art conservator’s guide for hanging paintings. 

In my role as an art conservator, I frequently encounter paintings in my lab that have suffered damage because someone did not know how to hang a painting. Even when I’m doing my home-consultations, I too-often see paintings that are about to fall off their hooks or whose wires are about the fray apart. Knowing how to properly hang paintings is critical in preserving the artwork. Whether you’re a seasoned art enthusiast or a new collector, understanding the best practices behind displaying and safeguarding your paintings is crucial for their long-term well-being.

Post-Holiday Considerations:

two family heirloom portraits are pictured. The one on the left depicting a Victorian woman has flaking running across the sitter's face. The portrait of a man on the right needs to be cleaned of grime and other signs of weathering. People often wonder how to hang a painting that they have been gifted.

two family heirloom portraits are pictured. The one on the left depicting a Victorian woman has flaking running across the sitter’s face. The portrait of a man on the right needs to be cleaned of grime and other signs of weathering.

Given the holiday season, many individuals receive paintings as heartfelt gifts. If you find yourself with new acquisitions, follow these guidelines promptly to learn how to hang a painting and integrate your artwork seamlessly into your collection, maintaining their longevity.

  1. Hanging Considerations:

When it comes to hanging paintings, it’s essential to prioritize the safety of the artwork. Avoid hanging pieces in direct sunlight or areas with extreme temperature and humidity fluctuations, as these can lead to fading, warping, and cracking. Choose a location away from vents, fireplaces, or other sources of heat, as sudden temperature changes can adversely affect the paint and canvas.

Art conservator, Virginia Panizzon, cleaning smoke damage off of a landscape painting. Knowing how to hang a painting properly can help avoid a situation like this.

The smoke damage on this painting is a result of incorrect placement above a fireplace. It is important to know where and how to hang a painting to avoid this type of damage.

  1. Mounting and Framing:

Selecting the right frame and matting materials is a critical aspect of proper hanging. Opt for acid-free, archival materials to prevent chemical reactions that could harm the artwork over time. Ensure that the frame adequately supports the weight of the painting and that whoever assists you knows how to hang a painting.

two men carrying a large painting with an ornate frame around it. It's important to pick a frame that can support the painting's weight and shape.

It is important to choose a frame that fits snugly that can support your painting’s weight

 

  1. Hanging Hardware:
3 differently sized d-rings that are often used for hainging paintings.

Quality wire attachment hardware for framed items

Invest in high-quality hanging hardware designed for the weight and size of your painting. Use D-rings and sturdy picture wire for a secure and evenly distributed support system. Check the hardware periodically to ensure it remains in good condition, preventing accidental falls and damage. For more info about hanging hardware, click here!

  1. Proper Spacing:

Allow sufficient spacing between paintings to prevent accidental collisions and promote proper air circulation. This helps maintain consistent environmental conditions around each artwork, reducing the risk of mold growth and other environmental damage.

  1. Storage Guidelines:

For paintings not currently on display, proper storage is equally crucial. Choose a dark, climate-controlled space with controlled temperature and humidity levels. Avoid storing paintings in basements, attics, or garages, as these areas are susceptible to temperature extremes and fluctuations. Here’s a guide for choosing the right storage facility for your artwork.

Mural removal in Austin Texas

Removal of two 30ft murals from a medical center in Austin Texas. Our Professional Art Conservation Team moves every piece carefully and securely

  1. Protective Coverings:

When not displayed, consider covering paintings with archival materials such as acid-free paper or polypropylene plastic bags. This protects against dust, dirt, and potential scratches while allowing the artwork to “breathe” and avoid condensation.

  1. Handling Precautions:

When handling paintings, ensure your hands are clean and dry. Use gloves made of nitrile to prevent oils and dirt from transferring to the artwork. Support the painting from underneath, avoiding putting pressure on the canvas or paint surface.

  1. Rotation Practices:

If you have a substantial art collection, consider periodically rotating the displayed pieces with stored ones. This prevents prolonged exposure to light and environmental conditions, ensuring all artworks receive equal care and conservation attention.

The proper hanging and storage of paintings go beyond aesthetics – they are essential practices for preserving the artistic and monetary value of your collection. You’ll know how to hang a painting by adhering to these archival principles, you contribute to the longevity and beauty of the art you hold dear, allowing future generations to appreciate the same brilliance you see today.

For more information about Fine Art Conservation Laboratories’ art conservation services, please visit our website. If you’re in need of Las Vegas-based art conservation services, please feel free to visit our branch site here. 

 

Has your artwork already suffered damage? 

FACL is here to help you make that insurance claim.

Fine Art Conservation Laboratories’ 45 years of expertise in preserving and restoring art offers invaluable help and practical knowledge for helping people through the insurance claim process for damaged collectibles and art pieces. Our experienced team understands the complexities of insurance claims related to art, heirlooms, and antiques, providing reports that are properly prepared with information that the insurance company never puts in doubt. Fine Art Conservation Laboratories charges flat fees for this work, not a percentage of the claim settlement, and our expertise is honored nationwide. Let us help make the art, heirloom, and collectible part of the insurance claim process as seamless as possible and preserve your peace of mind. 

 

This blog post has been syndicated at ExpertClick.com. 

What does it mean that this article is “ syndicated”?

 

It’s a bit of a coup to get an article syndicated, and its certainly prestigious, as additional “proof” that the info and the author are considered far and wide authoritative and an expert in the field. So, enjoy and trust our content!! This article was syndicated for USA national redistribution.

When something is published, usually by a news source, and is made available through different venues for redistribution then it is said to be syndicated. Publications that are syndicated are usually considered of value as being from an expert, educational, new worthy or valuable for wide popular interest. See syndication page at the renowned publicity site: https://www.expertclick.com/NRWire/

This website’s syndication included:

1) Included in the ExpertClick Press Room as a ‘press release.’ (different than a ‘news release’)

2) Included in the ‘Speaker Bureau Platform Page.’

3) Shown on the front page of ExpertClick, in rotation with other most recent posts.

4) Shown in the ‘News Release Results page.’

5) Included on optimized for searches on all my topics of expertise.

6) Shown via RSS linked from the Press Room. (A specific way news is actively distributed within the industry)

7) Shown in the full RSS feed from ExpertClick. (Another, different specific way news is actively distributed within the industry)

8) Syndicated to LexisNexis.com As of 2006, the company had the world’s largest electronic database for legal and public-records related information, distributor of academic content and expert opinion.

This article has been syndicated at https://www.expertclick.com/NRWire/

 

Posted in Art Storage and Transport, Painting on canvas | Tagged , , | Leave a comment

Las Vegas Art Rescue: Expert Tips for Restoring Art Shipping Damage

Posted on December 18, 2023 by Flora Arguilla

Scott M. Haskins, the President of Fine Art Conservation Laboratories (FACL) and a leading authority in the field, provides his expert insights.

a full body portrait of a victorian-looking man with a large rip going down the center. This is a result of art shipping damage.

Here’s an example of art shipping damage. Due to improper handling, this painting now needs extensive art conservation treatments

Damaged art delivery? Don’t panic! This guide has the steps you need to take right now. As an art conservator with years of experience, I’ve seen countless pieces arrive at my studio with art shipping damage. Shipping mishaps, bumpy moves, and even careless handling at Harry Reid Airport International can leave cherished artworks with cracks, tears, and faded colors. Whether you’re a seasoned collector or a first-time buyer, knowing what to do when disaster strikes can make all the difference in preserving your precious pieces.

Detecting the Damage from Art Shipping:

The first step is assessing the situation with a calm head and keen eyes. Remember, handling damaged artwork can worsen the situation, so resist the urge to poke, prod, or attempt DIY fixes. Here’s a quick guide to identifying common damage without causing further harm:

  • Surface Damage: Look for scratches, abrasions, or punctures on the artwork’s surface. For paintings, check for craquelure (fine cracks in the paint layer) or flaking paint. For sculptures, look for chips or dents. Don’t rub or touch the damaged area, as this could spread the damage or remove loose fragments.
  • Structural Damage: Check for tears, rips, or warping in the canvas, paper, or other support material. For sculptures, look for cracks or loose parts. Avoid moving the artwork excessively, as this could worsen the structural damage.
  • Fading or Discoloration: Observe any changes in the artwork’s color or vibrancy. This could be due to UV exposure, improper storage conditions, or chemical reactions. Don’t expose the artwork to direct sunlight or attempt any cleaning yourself.
portrait of a woman in pre-Victorian dress with extensive cracking and other age-related damage.

Years of improper storage and neglect have ravaged this art piece. It was nearly impossible to transport without causing further art shipping damage.

Find the Right Specialist for Damage in Art Shipping:

Once you’ve identified the type of damage, the next crucial step is finding the right professional to help. Remember, not all art conservators are created equal! Here are some tips for finding a qualified expert near you:

  • Ask around: Thankfully, Las Vegas has a robust art industry, so there are lots of potential resources out there for you. Talk to other art collectors, gallery owners, or museum curators for recommendations. Personal referrals are often the best way to find a reputable conservator.
  • Check credentials: Look for conservators who are members of professional organizations, such as the American Institute for Conservation (AIC) or the International Council of Museums (ICOM). These organizations have strict ethical and professional standards.
  • Research online: Use online directories like the AIC’s Professional Directory or the ICOM’s Find an Expert database to locate qualified conservators in your area.
  • Schedule consultations: Contact several conservators and schedule consultations to discuss your artwork and the damage it has sustained. This will help you assess their expertise and find the best fit for your needs caused by art shipping damage.
before and after pictures of the painting conservation process of a Madonna & child painting

Nuestra Senora De Los Angeles before & after FACL’s art conservation treatments.

Remember:

  • Don’t delay: The sooner you seek professional help, the better the chances of successful restoration. Delaying treatment can worsen the damage and make it more expensive to repair.
  • Document everything: Take clear photos of the artwork and the damage before moving it. This will be helpful for the conservator and for insurance purposes.
  • Be patient: Art conservation is a delicate process that takes time and expertise. Trust your chosen conservator and be patient with the restoration process.

By following these steps, you can navigate the stressful situation of a damaged artwork and ensure it receives the proper care it deserves. Remember, your treasured pieces deserve a second chance, and with the help of a qualified art conservator, you can bring them back to their former glory.

Bonus Tip: Las Vegas’ dry climate can pose unique challenges for artwork preservation. When storing your art, consider using a humidifier to maintain a consistent humidity level and protect your pieces from cracking or warping. Don’t forget to consult an art conservation professional to assess the conditions that your art pieces need.

Air purifier with ionization in the room on a light background, close-up.

I hope this guide helps you navigate the unexpected and keep your art collection safe and sound. Remember, prevention is always better than cure, so handle your artwork with care and store them in a controlled environment. And if disaster strikes, don’t panic – there’s always hope for restoration!

Need Help With Your Insurance Claim? 

Dealing with ruined paintings is stressful enough. Let us help you with your insurance claim for art shipping damage. Fine Art Conservation Laboratories’ 45 years of expertise in preserving and restoring art offers invaluable help and practical knowledge for helping people through the insurance claim process for damaged collectibles and art pieces.

Our experienced team understands the complexities of insurance claims related to art, heirlooms, and antiques, providing reports that are properly prepared with information that the insurance company never puts in doubt. Fine Art Conservation Laboratories charges flat fees for this work, not a percentage of the claim settlement, and our expertise is honored nationwide. Let us help make the art, heirloom, and collectible part of the insurance claim process as seamless as possible and preserve your peace of mind. 

FACL logo

This blog post has been syndicated at ExpertClick.com. What does it mean that this article is “syndicated”?

It’s a bit of a coup to get an article syndicated, and it’s certainly prestigious, as additional “proof” that the info and the author are considered far and wide authoritative and an expert in the field. So, enjoy and trust our content!! This article was syndicated for USA national redistribution.

When something is published, usually by a news source, and is made available through different venues for redistribution then it is said to be syndicated. Publications that are syndicated are usually considered of value as being from an expert, educational, new worthy or valuable for wide popular interest. See syndication page at the renowned publicity site: https://www.expertclick.com/NRWire/Releasedetails.aspx?id=301139https://www.expertclick.com/NRWire/

This website’s syndication included:

1) Included in the ExpertClick Press Room as a ‘press release.’ (different than a ‘news release’)

2) Included in the ‘Speaker Bureau Platform Page.’

3) Shown on the front page of ExpertClick, in rotation with other most recent posts.

4) Shown in the ‘News Release Results page.’

5) Included on optimized for searches on all my topics of expertise.

6) Shown via RSS linked from the Press Room. (A specific way news is actively distributed within the industry)

7) Shown in the full RSS feed from ExpertClick. (Another, different specific way news is actively distributed within the industry)

8) Syndicated to LexisNexis.com As of 2006, the company had the world’s largest electronic database for legal and public-records related information, distributor of academic content and expert opinion.

This article has been syndicated at https://www.expertclick.com/NRWire/Releasedetails.aspx?id=301139 

 

Posted in Consultations, Disaster/Emergency Response, Insurance | Tagged , , | Leave a comment

How are Paintings Cleaned? – the Discovery Process and “Unknown Factor”

Posted on December 4, 2023 by Flora Arguilla

Do you have a painting that needs cleaning? Are you interested to know how decades (or centuries) old paintings are cleaned? This article is for you. One of the questions I am asked the most as an art conservator is, “How are paintings cleaned?”. Let’s explore the process together.

Victorian-era portrait by G.A. Cuomo circa 1880

The story of this painting’s restoration can help answer the question, “How are paintings cleaned?”. See below for its journey.

When a Las Vegas art gallery trusted me to restore a Victorian 1880s oil painting, I expected a straightforward removal of the yellowed varnish. Despite my 40 years of experience, I approached the task with humility. The importance of careful analysis and caution in the process of cleaning a painting cannot be overstated.

Many Las Vegans have the misconception that estimating the cleaning of a painting is a per-square-inch task that can be done over the phone. The reality is much more intricate. Safely cleaning aged oil paintings involves in-depth solubility tests with various solvents to make sure they dissolve the varnish without harming the original paint. We use tools such as head-mounted magnifiers and stereo binocular microscopes to delve into the details of each artwork, as varnish qualities vary significantly. 

In the case of this painting, beginning estimations suggested a $300 investment in time and materials for a complete and safe cleaning. However, the artwork presented unexpected challenges. This resulted in an expenditure of $1,200.00 to carefully eliminate every trace of yellowed varnish and dust without damaging the original paint.

The art conservation process, including cleaning, often involves a “discovery process,” that unveils hidden intricacies and demands flexibility. Estimates are typically precise, but occasional unknown factors that come up from time to time underscore the dynamic nature of art restoration.

This example gives insight into the complex world of estimating and discovery during the cleaning process. You can see now why answering the question, “How are paintings cleaned?” is not as straightforward as one would think. This article gives you the knowledge you need to talk to art conservators about the conservation process. We provide art conservation services to the vibrant community in Las Vegas, and we invite you to explore the fascinating journey of art conservation and restoration. Every masterpiece holds a unique story waiting to be revealed.

image of the Las Vegas welcome sign with the strip in the background

We provide art conservation services and consultations in the Las Vegas area

Do you need help with an insurance claim relating to artwork? We can help.

We can answer more questions than just, “How are paintings cleaned?”. Fine Art Conservation Laboratories’ 45 years of expertise in preserving and restoring art offers invaluable help and practical knowledge for helping people through the insurance claim process for damaged collectibles and art pieces. Our experienced team understands the complexities of insurance claims related to art, heirlooms, and antiques, providing reports that are properly prepared with information that the insurance company never puts in doubt. Fine Art Conservation Laboratories charges flat fees for this work, not a percentage of the claim settlement, and our expertise is honored nationwide. Let us help make the art, heirloom, and collectible part of the insurance claim process as seamless as possible and preserve your peace of mind. Click here for more about insurance claims.

This blog post has been syndicated at ExpertClick.com. 

What does it mean that this article is “ syndicated”?

It’s a bit of a coup to get an article syndicated, and it’s certainly prestigious, as additional “proof” that the info and the author are considered far and wide authoritative and an expert in the field. So, enjoy and trust our content!! This article was syndicated for USA National Redistribution.

When something is published, usually by a news source, and is made available through different venues for redistribution then it is said to be syndicated. Publications that are syndicated are usually considered of value as being from an expert, educational, new worthy or valuable for wide popular interest. See syndication page at the renowned publicity site: https://www.expertclick.com/NRWire/

This website’s syndication included:

1) Included in the ExpertClick Press Room as a ‘press release.’ (different than a ‘news release’)

2) Included in the ‘Speaker Bureau Platform Page.’

3) Shown on the front page of ExpertClick, in rotation with other most recent posts.

4) Shown in the ‘News Release Results page.’

5) Included on optimized for searches on all my topics of expertise.

6) Shown via RSS linked from the Press Room. (A specific way news is actively distributed within the industry)

7) Shown in the full RSS feed from ExpertClick. (Another, different specific way news is actively distributed within the industry)

8) Syndicated to LexisNexis.com As of 2006, the company had the world’s largest electronic database for legal and public-records related information, distributor of academic content and expert opinion.

This article has been syndicated at https://www.expertclick.com/NRWire/

 

Posted in art restoration of family portraits, Consultations, Painting on canvas | Tagged , , | 2 Comments

What to Do with Inherited Collections: Preserving Las Vegas

Posted on November 28, 2023 by Flora Arguilla

Do you care about your family history? This article is for you.

Inheriting a collection of photos, papers, books, and letters following the passing of a relative can pose both sentimental and logistical challenges. The question arises: What to do with inherited collections that may seem overwhelming due to space constraints, lack of personal interest, or inexperience in managing collections? At Fine Art Conservation Laboratories, we understand the delicate nature of such situations and offer solutions for preserving and valuing these cherished legacies, keeping the desert landscape of Las Vegas in mind.

blonde woman leans over a glass case in a museum

This woman marvels at the beautiful archive now in her possession. The question remains: What to do with inherited collections?

An inherited collection often forms an archive, a unique assortment of documents, photos, and three-dimensional objects, such as artworks, digital files, and manuscripts selected to preserve the essence of a person’s life. Our team specializes in the careful assessment of these diverse items, recognizing their collective power in narrating a captivating life history. Here are some tips for taking care of collections that you can do at home:

  1. Take Stock and Document: Start by carefully examining and documenting each piece in your newly inherited collection. Note any wear, tear, or damage, creating a simple list or using your smartphone to take pictures. This initial step helps you understand what needs attention.
  2. Find a Safe Storage Spot: Look for a cool, dry storage space at home, like a closet or under a bed. Shield the collection from extreme temperatures and moisture, using airtight containers or plastic sleeves for added protection. This storage approach can go a long way in preserving your items.
  3. Storytelling Preservation: Preserve the stories behind each item by writing them down or recording family anecdotes. This adds a personal touch to your collection, enhancing its value without any cost. Consider creating a simple digital document or a handwritten journal to capture these narratives.
  4. Regular Checks and Tender Loving Care: Schedule regular checks on your collection, ensuring it remains in good condition. Simple actions like dusting, adjusting storage conditions, and handling items with clean hands can contribute to their longevity. Consistent, gentle care is key, even if professional conservation is not immediately feasible.

Remember, even on a budget, there are practical steps you can take to care for your inherited collection, ensuring it remains a cherished part of your family’s history.

One interesting new way that people are preserving their family history is through genealogy sites. By photographing cherished heirlooms, digitizing important historical documents, and uploading them to genealogy websites, people have connected with long-lost relatives, shared family stories more easily via the internet, and improved their own family’s interest in family history. We can advise what to do with inherited collections in terms of preservation, restoration, and storage.

Although dry conditions are ideal for archival storage, the desert heat, dust, and pests are something to consider when handling collections. As you navigate the task of sorting through the archive, we emphasize the importance of maintaining the collection’s integrity, ensuring it tells a coherent and valuable story. While some may lament the decline of letter writing, we appreciate the intrinsic value of authentic signatures and the stories they tell. Recent auctions have demonstrated a growing market for entire archives, underscoring the enduring allure of tangible, historical artifacts.

Documents and books within the inherited collection hold particular significance. If they align with the individual’s work or training, they contribute to the archive’s richness. We encourage clients to preserve the archive as a cohesive unit, whether they choose to keep, sell, or donate it. By keeping records together, the unique perspective of one person’s life events is preserved, adding depth and authenticity to the entire collection.

Another significant part of any collection is artwork, such as paintings. It conveys the collector’s interests and even perspective of the world. Their value isn’t only sentimental; much artwork, especially if it’s old, has significant monetary value. It is important to consult an art conservation professional to ensure the proper storage and restoration treatments that each piece needs. Provenance, the history of ownership, plays a pivotal role in retaining the archive’s value, be it evidential or monetary. Our decades of experience in painting conservation have left many families with beautifully restored artworks that can be enjoyed by generations to come.

A portrait of George Washington, painted around 1800

Heirloom portraits, such as this one of George Washington, can be quite valuable. 

As you grapple with the identity embedded in the archive, we encourage thoughtful consideration of its entirety before deciding what to do with inherited collections. Rather than dissecting and selling individual components, or worse, discarding the archive, consider the option of donation. Fine Art Conservation Laboratories can guide you in preserving the structural and value-based integrity of the collection and even suggest potential donation avenues, including national archives, universities, community organizations, galleries, museums, and local institutions. Preserving your family member’s legacy becomes a meaningful endeavor, and our expertise ensures that the inherited collection remains a cohesive and valued representation of their life story.

an older, well-dressed white man with gloves on using a microscope to analyze a painting

Head Conservator, Scott M. Haskins analyzing the condition of the painting on the table

Are you also having trouble navigating an insurance claim that comes along with this inheritance? Fine Art Conservation Laboratories can help.

Fine Art Conservation Laboratories’ 45 years of expertise in preserving and restoring art offers invaluable help and practical knowledge for helping people through the insurance claim process for damaged collectibles and art pieces. Our experienced team understands the complexities of insurance claims related to art, heirlooms, and antiques, providing reports that are properly prepared with information that the insurance company never puts in doubt. Fine Art Conservation Laboratories charges flat fees for this work, not a percentage of the claim settlement, and our expertise is honored nationwide. Let us help make the art, heirloom, and collectible part of the insurance claim process as seamless as possible and preserve your peace of mind. 

This blog post has been syndicated at ExpertClick.com.

What does it mean that this article is “ syndicated”?

It’s a bit of a coup to get an article syndicated, and its certainly prestigious, as additional “proof” that the info and the author are considered far and wide authoritative and an expert in the field. So, enjoy and trust our content!! This article was syndicated for USA national redistribution.

When something is published, usually by a news source, and is made available through different venues for redistribution then it is said to be syndicated. Publications that are syndicated are usually considered of value as being from an expert, educational, new worthy or valuable for wide popular interest. See syndication page at the renowned publicity site: https://www.expertclick.com/NRWire/

This website’s syndication included:

1) Included in the ExpertClick Press Room as a ‘press release.’ (different than a ‘news release’)

2) Included in the ‘Speaker Bureau Platform Page.’

3) Shown on the front page of ExpertClick, in rotation with other most recent posts.

4) Shown in the ‘News Release Results page.’

5) Included on optimized for searches on all my topics of expertise.

6) Shown via RSS linked from the Press Room. (A specific way news is actively distributed within the industry)

7) Shown in the full RSS feed from ExpertClick. (Another, different specific way news is actively distributed within the industry)

8) Syndicated to LexisNexis.com As of 2006, the company had the world’s largest electronic database for legal and public-records related information, distributor of academic content and expert opinion.

This article has been syndicated at https://www.expertclick.com/NRWire/

 

Posted in Consultations, Historic Preservation, Insurance | Tagged , , | Leave a comment

Pezzi Al Muro – talks e mostra online conference (a Lonato del Garda, Lombardy, Italy)

Posted on November 15, 2023 by Scott M. Haskins
This blog post has been syndicated at ExpertClick.com. What does it mean that this article is “ syndicated”? See end of article for explanation.

Description of the Online Conference

Sat. Nov. 18th, 2023 1 am PST

The short cycle of 10 speakers who focus on the various agitated levels of interaction between art and public spaces and on their intimately ambiguous relationship of the conflicts of art in urban places, on an art in “pieces” capable of representing the fragmentary transformation of our reality. This event will be of interest to architects, urban planners, cultural affairs administrator, art conservators and those in tune with the intellectual pursuit of art.

Speakers are experts and artists from Italy, France, Germany and the United States who introduce themselves with their experiences by telling and showing various interesting and cutting-edge projects to educate, present artistic paths and promote artistic expressions. Sign up on this page: https://bergamobrescia2023.it/eventi/pezzi-al-muro/?fbclid=IwAR2EHbTkIn0CJMkdBgp-wht1uu4vvdrhwktAoSgFTQDoKZ8yQa0zE8ZZnfs

Ten presentations dedicated to individual projects, curatorial experiences, the promotion of and the protection of art in the public sphere and reflections on the transitory aspect of public art. These interventions are structured in such a way as to address the numerous aspects of the proposed themes by inserting the point of view of the speakers-artists , contractors and contributors to the projects and committed in the cities and communities involved: today, much is said about urban art and its impact on society, but little is known of many of its protagonists who influence policies and promote its visibility and propagation.

Luisa Pari in Madonna del Corlo community complex in Lonato del Garda, (BS) Italy

The event takes place in a single day divided into two sessions: the interventions will be this Saturday, Nov. 18th from 10 to 12 and in the afternoon from 2.30 to 6 pm Italian time (9 hours ahead of PST).

Banksy’s Iconic Rat #SavingBanksy

The presentation (in Italian) by art and mural conservator Scott M. Haskins of Fine Art Conservation Laboratories will be at 8 am (USA, PST) on Sat, Nov. 18th on best practices, parameters, and practical guidelines for the creation and maintenance of exterior murals in urban environments in order to attain longevity and “pride of ownership.” The talk will be translated into English and posted afterwards on the website blog of Fine Art Conservation Laboratories.

Mr. Haskins, is an American mural conservator with outdoor public art (murals) consulting, maintenance and restoration contracts presently with Los Angeles/CA, Santa Monica/CA, City of Indio (Palm Springs/CA), the State of Washington.

During the interval between the two sessions, the public will be able to contact the amin of the conference to access a guided tour of the Madonna del Corlo church and, for the entire duration of the interventions, the exhibition of the works of the artists, speakers and students of the University of Brescia.

On the day of the event, a mural dedicated to residents, created by the Brescian artist Laura Micieli, will be inaugurated at 9.30 am, at the Rsa Fondazione Madonna del Corlo Onlus.

This conference program is made possible with the patronage of the Municipality of Lonato del Garda, the University of Brescia and the Order of Architects, Planners, Landscape Architects and Conservators. Thanks also to Fine Art Conservation Laboratories for assistance, support and participation.

“The initiative is credited with the release of 8 vocational training certificates for P.P.C. Architects. – Registration on the Services Portal”

Sign up on this page: https://bergamobrescia2023.it/eventi/pezzi-al-muro/?fbclid=IwAR2EHbTkIn0CJMkdBgp-wht1uu4vvdrhwktAoSgFTQDoKZ8yQa0zE8ZZnfs

Conference is transmitted from Lonato del Garda, Garda Lake Region, Italy

Questions? Scott M. Haskins, faclartdoc@gmail.com, 805 564 3438

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#Fineartconservationlaboratories #Lonatodelgarda #Lauramicieli #LuisaPari #Fondazionemadonnadelcorloonlus #Universityofbrescia #Orderofarchitects #urbanplanners #architect #PPCArchitects #landscapearchitects #artconservation #muralconservation #muralrestoration #artrestoration #publicart #publicartmaintenance

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This blog post has been syndicated at ExpertClick.com. What does it mean that this article is “ syndicated”?

Its a bit of a coup to get an article syndicated, and its certainly prestigious, as additional “proof” that the info and the author are considered far and wide authoritative and an expert in the field. So, enjoy and trust our content!! This article was syndicated for USA national redistribution.

When something is published, usually by a news source, and is made available through different venues for redistribution then it is said to be syndicated. Publications that are syndicated are usually considered of value as being from an expert, educational, new worthy or valuable for wide popular interest. See syndication page at the renowned publicity site: https://www.expertclick.com/NRWire/Releasedetails.aspx?id=300287

This website’s syndication included:

1) Included in the ExpertClick Press Room as a ‘press release.’ (different than a ‘news release’)

2) Included in the ‘Speaker Bureau Platform Page.’

3) Shown on the front page of ExpertClick, in rotation with other most recent posts.

4) Shown in the ‘News Release Results page.’

5) Included on optimized for searches on all my topics of expertise.

6) Shown via RSS linked from the Press Room. (A specific way news is actively distributed within the industry)

7) Shown in the full RSS feed from ExpertClick. (Another, different specific way news is actively distributed within the industry)

8) Syndicated to LexisNexis.com As of 2006, the company had the world’s largest electronic database for legal and public-records related information, distributor of academic content and expert opinion.

This article has been syndicated at https://www.expertclick.com/NRWire/Releasedetails.aspx?id=300287

Posted in FACL in the media, In The News About Art Conservation, Murals, Professional activities, Saving Public Art, Speaking, Speaking Engagements | Tagged | Leave a comment

How to Choose the Right Art Storage Facility

Posted on November 13, 2023 by Flora Arguilla

In the world of art conservation and preservation, choosing the right art storage facility is a crucial decision for both collectors and institutions. The right choice can ensure the safety and longevity of valuable artworks, especially in a desert climate like Las Vegas. This article will guide you through the process of choosing the right art storage facility, focusing on key factors to consider.

Location and Climate Control 

image of an HVAC system

Choosing the right art storage facility involves considering a robust climate control system

Artwork can be sensitive to environmental conditions, making location and climate control paramount.

Select an art storage facility that offers climate-controlled spaces. This ensures artworks are protected from extreme temperature fluctuations and excessive humidity, which can cause irreversible damage.

Security Measures

image of a bank vault door

When choosing an art storage facility for your valuables, don’t be afraid to ask questions about security.

Safety is a top priority in art storage, and robust security measures are essential.

Look for facilities equipped with advanced security systems, such as surveillance cameras, access control, and on-site security personnel. This ensures that your artworks are well-protected.

Storage Conditions 

flat boxes organized in a sturdy, gray, metal shelving unit

Make sure to survey the storage options when choosing the right art storage facility

The quality of storage conditions directly impacts the preservation of art.

Choose a facility that offers storage units with adjustable shelving and ample space to accommodate various types of art. Adequate space ensures proper air circulation and prevents overcrowding.

Maintenance and Cleanliness

a man wearing a mask uses an industrial vacuum to clear dust from a hard-to-reach surface

Cleanliness and regular inspections are paramount for ensuring the well-being of valuable items in storage

Regular maintenance and cleanliness are essential for preserving artwork.

Select a facility that demonstrates a commitment to cleanliness and preventive care. Regular inspections and cleaning help prevent dust, pests, and mold from affecting your valuable pieces.

Accessibility and Services 

Consider how accessible the facility is and what services it offers.

Look for a facility that provides convenient access to your stored artwork. Additionally, inquire about services such as retrieval, packing, and transportation, which can make managing your art collection more convenient.

Reputation and References 

a row of 5 yellow stars

Make sure to look for reviews and testimonials when choosing an art storage facility

Research the facility’s reputation and seek references from other clients.

Review online testimonials and ask for references from the facility. Positive feedback from other art owners can provide peace of mind when making your choice.

In conclusion,

Choosing the right art storage facility involves considering factors like location, climate control for the Las Vegas area, security, storage conditions, maintenance, accessibility, services, and reputation. By focusing on these key considerations, you can ensure that your valuable artworks are preserved and protected in the desert climate. When choosing an art storage facility, prioritize the long-term safety and preservation of your treasured art collection.

 

Fine Art Conservation Laboratories offers climate-controlled storage options! 

Fine art conservation laboratory logo

Ours is the only storage facility in the nation associated with an art conservation laboratory. Only highly-trained art conservation professionals have access to our storage facilities. You can rest assured that if you partner with us, your artwork will be under the care of our painting conservators. Our clients come to us for their art restoration needs, such as ripped painting repair, cleaning off dirty varnish, and mitigating cracking, mold, and other issues associated with aging artwork. They are often delighted to learn that we offer storage solutions, and often opt to keep their artworks in-house for storage after their treatments have been completed. If you’d like to inquire about our storage or other art restoration services, please call (702) 757-3820.

Are you dealing with an insurance claim related to art?

Fine Art Conservation Laboratories’ 45 years of expertise in preserving and restoring art offers invaluable help and practical knowledge for helping people through the insurance claim process for damaged collectibles and art pieces. Our experienced team understands the complexities of insurance claims related to art, heirlooms, and antiques, providing reports that are properly prepared with information that the insurance company never puts in doubt. Fine Art Conservation Laboratories charges flat fees for this work, not a percentage of the claim settlement, and our expertise is honored nationwide. Let us help make the art, heirloom, and collectible part of the insurance claim process as seamless as possible and preserve your peace of mind. 

This blog post has been syndicated at ExpertClick.com. 

What does it mean that this article is “syndicated”?

It’s a bit of a coup to get an article syndicated, and its certainly prestigious, as additional “proof” that the info and the author are considered far and wide authoritative and an expert in the field. So, enjoy and trust our content!! This article was syndicated for USA national redistribution.

When something is published, usually by a news source, and is made available through different venues for redistribution then it is said to be syndicated. Publications that are syndicated are usually considered of value as being from an expert, educational, new worthy or valuable for wide popular interest. See syndication page at the renowned publicity site: https://www.expertclick.com/NRWire/

 

This website’s syndication included:

1) Included in the ExpertClick Press Room as a ‘press release.’ (different than a ‘news release’)

2) Included in the ‘Speaker Bureau Platform Page.’

3) Shown on the front page of ExpertClick, in rotation with other most recent posts.

4) Shown in the ‘News Release Results page.’

5) Included on optimized for searches on all my topics of expertise.

6) Shown via RSS linked from the Press Room. (A specific way news is actively distributed within the industry)

7) Shown in the full RSS feed from ExpertClick. (Another, different specific way news is actively distributed within the industry)

8) Syndicated to LexisNexis.com As of 2006, the company had the world’s largest electronic database for legal and public-records related information, distributor of academic content and expert opinion.

This article has been syndicated at https://www.expertclick.com/NRWire/

 

Posted in Art Storage and Transport, In Lab | Tagged , , | Leave a comment

Can a Ripped Painting Be Repaired? Discussion With an Art Restoration Expert

Posted on November 7, 2023 by Flora Arguilla

Scott M. Haskins is our resident expert in Art Restoration Services provided in Las Vegas and Henderson, Nevada. 

Scott Haskins, art conservator, with murals in his lab

Scott M. Haskins in the mural room of his lab.

Here are his words of wisdom about the potential for a ripped painting to be repaired:

As the Head of Conservation at Fine Art Conservation Laboratories, Inc. (FACL), I have seen a lot of damaged artwork in my time. One of the most common questions that I hear from new clients is: “Can a ripped painting be repaired?” Unfortunately, one of the most common causes of damage is paintings falling off the wall, so we have plenty of experience with this issue. Ripped paintings can happen for a variety of reasons, such as earthquakes, storms, other natural disasters, or simply accidental bumps. 

If your painting does rip, it is important to have it repaired by a professional art conservator. A conservator will be able to assess the damage and develop a plan to repair it in a way that minimizes the appearance of the tear. The process of restoring a ripped painting will vary depending on the extent of the damage. 

However, there are some general steps that conservators will follow:

  1. Clean the painting: The conservator will start by cleaning the painting to remove any dirt, grime, or other debris. This is important to do so that the conservator can get a clear view of the damage.
  2. Assess the damage: The conservator will then assess the damage to the painting. This will involve determining the size and location of the tear, as well as the type of paint and canvas that was used.
  3. Repair the tear: Once the damage has been assessed, the conservator will begin to repair the tear. This may involve using a variety of techniques, such as stitching, patching, or lining.
  4. Retouch the painting: Once the tear has been repaired, the conservator may need to retouch/ inpaint to match the surrounding area. This will help to minimize the appearance of the repair.

The entire process of restoring a ripped painting can take several weeks or even months, depending on the extent of the damage. It is important to have the painting repaired by a professional to ensure that it is done correctly.

landscape painting of the Amalfi Coast with a large L-shaped tear in the middle of it

Ripped oil painting of the Amalfi Coast to be repaired perfectly by Fine Art Conservation Laboratories

Here are things to keep in mind when you have a ripped painting:

  • If the painting is still on the stretcher, do not remove it. This could cause further damage.
  • Do not try to repair the tear yourself. This could cause further damage to the painting.
  • Take the painting to a professional art conservator as soon as possible.

How to Deal with A Ripped Painting and an Insurance Claim:

Fine Art Conservation Laboratories’ 45 years of expertise in preserving and restoring art offers invaluable help and practical knowledge for helping people through the insurance claim process for damaged collectibles and art pieces. Our experienced team understands the complexities of insurance claims related to art, heirlooms, and antiques, providing reports that are properly prepared with information that the insurance company never puts in doubt. Fine Art Conservation Laboratories charges flat fees for this work, not a percentage of the claim settlement, and our expertise is honored nationwide. Let us help make the art, heirloom, and collectible part of the insurance claim process as seamless as possible and preserve your peace of mind.

Now, here’s the part where you learn how to prevent your paintings and other valuable items from falling off the wall:

  • Use the right hanging hardware: Make sure to use picture hangers that are appropriate for the weight of your painting and the type of wall you are hanging it on. For example, if you are hanging a heavy painting on a plaster wall, you will need to use different hardware than if you are hanging a lightweight painting on a wood wall.
  • Use museum wax: Museum wax is a special type of wax that can be used to anchor paintings and other objects to the wall. This is a good option for paintings that are particularly valuable or delicate. 
  • Hang your paintings in the right place: Avoid hanging paintings near windows or doors, where they are more likely to be bumped or damaged. It is also important to avoid hanging paintings in direct sunlight, as this can cause the paint to fade over time.
image of a white gallery wall with a row of framed paintings hung upon it

Each of these paintings has been secured using the appropriate, secure hardware. No ripped paintings here!

Here are some specific recommendations for hanging:

  • Picture-hanging wire attachment on frame: You can find picture hangers at any hardware store, but I recommend using hangers that require multiple screws to attach to the frame. This will provide more security for your painting.
  • Hanging hook on the wall: If you are hanging a painting on a plaster wall, I recommend using a brass hook. For wood walls, you can use a silver hook. If you are concerned about earthquakes, you can use an earthquake-proof plastic hook.
  • Museum wax: You can find museum wax at most art supply stores. It is important to note that museum wax is not a permanent solution, and you will need to reapply it every few months.

In addition to the above tips, it is also important to regularly inspect your paintings and hanging hardware for signs of wear and tear. If you see any damage, be sure to repair it immediately.

If you have any further questions about how to keep your paintings and other valuable items from falling off the wall, please feel free to contact me. I am always happy to help. Our phone number is 702-757-3820.

Additional tips for Las Vegas and Henderson residents:

  • Consider the climate: Las Vegas and Henderson have a dry climate, which can be damaging to paintings and other objects. To protect your artwork, I recommend keeping it in a humidified environment. You can do this by using a humidifier or by placing your paintings in a room with plants, but I recommend speaking to a professional about this first – too much humidity can also damage artwork.
  • Be careful about pests: Las Vegas and Henderson are home to a variety of pests, such as termites and silverfish. These pests can damage paintings and other objects, so it is important to take steps to control them. You can do this by using pest control products or by sealing your home to prevent pests from entering.

This blog post has been syndicated at ExpertClick.com. 

What does it mean that this article is “syndicated”?

It’s a bit of a coup to get an article syndicated, and it’s certainly prestigious, as additional “proof” that the info and the author are considered far and wide authoritative and an expert in the field. So, enjoy and trust our content!! This article was syndicated for USA National Redistribution.

When something is published, usually by a news source, and is made available through different venues for redistribution then it is said to be syndicated. Publications that are syndicated are usually considered of value as being from an expert, educational, new worthy, or valuable for wide popular interest. See the syndication page at the renowned publicity site: https://www.expertclick.com/NRWire/

This website’s syndication included:

1) Included in the ExpertClick Press Room as a ‘press release.’ (different than a ‘news release’)

2) Included in the ‘Speaker Bureau Platform Page.’

3) Shown on the front page of ExpertClick, in rotation with other most recent posts.

4) Shown in the ‘News Release Results page.’

5) Included on optimized for searches on all my topics of expertise.

6) Shown via RSS linked from the Press Room. (A specific way news is actively distributed within the industry)

7) Shown in the full RSS feed from ExpertClick. (Another, different specific way news is actively distributed within the industry)

8) Syndicated to LexisNexis.com As of 2006, the company had the world’s largest electronic database for legal and public-records related information, distributor of academic content and expert opinion.

This article has been syndicated at https://www.expertclick.com/NRWire/

 

Posted in Disaster/Emergency Response, Painting on canvas | Tagged , , | Leave a comment

Anniversary of the 1966 Flood in Florence – A turning point for the world

Posted on November 6, 2023 by Scott M. Haskins
This blog post has been syndicated at ExpertClick.com. What does it mean that this article is “ syndicated”? See end of article for explanation.

Traditional art restoration emerged from the shadows, and the floodwaters, of the Arno River after the catastrophic flood of 1966 and became the professional discipline of art conservation. It was at this point in time that the world was shocked into collaborating to Save the extraordinary and irreplaceable artistic and literary patrimony housed in Florence. It is considered the cities worst flood since 1557! There are several significant reasons that I have it as a date to remember on my calendar. Here’s a good video summary of the efforts still being made decades later.

I’ve been to the Opificio delle Pietre Dure, the art conservation center in Florence, many times over the years and saw these art treasures in the video while they were being worked on.

A few inside details that you may enjoy knowing… I was told by Director Matteini of the conservation center that the crucifixion by Cimabue, one of Italy’s foremost Gothic artists along with Giotto, had been in bad condition and had been stored in the basement of the church for who knows how many decades. In the defense of its clerical caretakers, Florence was under severe strain in two world wars and a revolution over the last century or so and there have been many reasons why works of art have been hidden, sometimes in great haste. Whatever the reason, the 14.5′ tall Byzantine masterpiece was forgotten and considered lost as the decades passed and people rotated through the administration of the church . Imagine the surprise by salvage workers who were pulling art out of flood water and mud to find one of the worlds greatest lost works of art!

1966 Arno High-Water Mark

The Vasari Last Supper was such a huge mess… true heartache plagued everyone at the art conservation center where it was stored for decades, pushed to the back of the waiting line because of its severe, poor condition. The Italians were geniuses and wizards as they eventually overcame these challenges and came up with an amazing, wonderful result. When I saw this 12 ft wide work of art at the Opificio, it made my blood drain from my face it was so sad.

“They” say that the Chinese symbol for chaos or crisis is the same as “opportunity.” In any case, the philosophical thinkers spanning millennia often expressed the positive mental attitude that after a disaster or crisis, commitment which generates positive energy and resources are result in great opportunities. Such is the case with the worlds response to the 1966 flooding of the Arnold in Florence Italy. Badly needed resources that were never available previously were galvanized into applying the sciences to the preservation and restoration of artistic, historic and cultural testimonies so important to our collective memory. Indeed, the disastrous flood of the Arno River is worth remembering.

Questions about your art, even though you may feel its only a family portrait or heirloom? Call us for a chat at 805 564 3438 or gena.FACLBusinessManager@gmail.com

Scott M. Haskins and Virginia Panizzon, veteran art conservators at Fine Art Conservation Laboratories

This blog post has been syndicated at ExpertClick.com. What does it mean that this article is “ syndicated”? See end of article for explanation.

Its a bit of a coup to get an article syndicated, and its certainly prestigious, as additional “proof” that the info and the author are considered far and wide authoritative and an expert in the field. So, enjoy and trust our content!! This article was syndicated for USA national redistribution.

When something is published, usually by a news source, and is made available through different venues for redistribution then it is said to be syndicated. Publications that are syndicated are usually considered of value as being from an expert, educational, new worthy or valuable for wide popular interest. See syndication page at the renowned publicity site: https://www.expertclick.com/NRWire/Releasedetails.aspx?id=300056

This website’s syndication included:

1) Included in the ExpertClick Press Room as a ‘press release.’ (different than a ‘news release’)

2) Included in the ‘Speaker Bureau Platform Page.’

3) Shown on the front page of ExpertClick, in rotation with other most recent posts.

4) Shown in the ‘News Release Results page.’

5) Included on optimized for searches on all my topics of expertise.

6) Shown via RSS linked from the Press Room. (A specific way news is actively distributed within the industry)

7) Shown in the full RSS feed from ExpertClick. (Another, different specific way news is actively distributed within the industry)

8) Syndicated to LexisNexis.com As of 2006, the company had the world’s largest electronic database for legal and public-records related information, distributor of academic content and expert opinion.

This article has been syndicated at https://www.expertclick.com/NRWire/Releasedetails.aspx?id=300056

 

 

 

Posted in Disaster/Emergency Response, Saving Public Art | Tagged | Leave a comment

How Much Does Painting Repair Cost? – Las Vegas art restoration services

Posted on November 1, 2023 by Flora Arguilla

Have you been wondering how much painting repair costs? You’re in luck. In this article, the process of how pricing for an art restoration, painting repair, conservation services plan, etc. works. Let’s dive into how we can get your items back to their best condition.

Why do we provide painting restoration and conservation services in Las Vegas? There is so much art in homes and private collections all over the city. Your home might even have a painting or two in it. Do you wonder how much painting repair might cost you? Well, it’s not as simple as just giving a price per square inch as you might do for painting a house. Each painting and its history is unique, and cleaning it requires a special approach. Let’s explore why you can’t just “hit it with a mop” and how to find out how much it costs to clean a painting or repair an artwork.

3 progress photos of the restoration of an old paper artwork depicting Buddha

This was a complicated project with many unexpected developments along the way. We were in communication with the owner about treatments that need to be added to the original treatment plan. The cost of the treatments were communicated through every step of the process.

Imagine being an art conservator in charge of restoring artworks. People often ask you, “How much does it cost to clean a painting?” They might think it’s like getting an estimate for a home repair. Art is much more complicated. It’s not about size or measurements; it’s about understanding the artwork’s history and what it needs.

Did you know that cleaning an Old Master painting is different from cleaning an Impressionist painting or other types of art? In regards to painting restoration, modern acrylic paintings are treated differently from old family portraits. Each style has its unique way of being cleaned. 

For example, we at Fine Art Conservation Laboratories (FACL)  once worked on a famous series of 40 paintings, all made by artist Henry Chapman Ford between 1874 and 1886. These paintings show the Spanish missions of California and were made for the Mission Inn in Riverside, CA. Every single one of these 40 paintings needed a different way of being cleaned. As you can imagine, it took a while to estimate the treatment plan for each of these artworks.

Cleaning a painting is not as simple as it may seem. It’s a process of discovery and careful analysis. The professional who cleans the painting, known as a conservator, must be very careful and make decisions based on their judgment. They can’t just use ordinary cleaning products. Cleaning a painting requires skill, patience, and respect for its history and value.

landscape painting of the Amalfi Coast with a large L-shaped tear in the middle of it

Ripped oil painting of the Amalfi Coast to be repaired perfectly by Fine Art Conservation Laboratories

If you’re curious about how an Impressionist painting is cleaned, especially one that’s not too complicated, you can watch a short video. It shows the cleaning of a painting by the famous California Impressionist Edgar Payne. The video reveals that to clean a painting isn’t a quick task but a delicate and precise process that preserves the art’s beauty.

Watch the cleaning video here: https://www.youtube.com/watch?v=-DSzHcEBZ40

If you have an artwork that needs cleaning or restoration, don’t hesitate to reach out to experts like us. We’re here to answer your questions and offer many Las Vegas art collectors/owners professional guidance. At Fine Art Conservation Laboratories, we take pride in preserving and restoring art. We’re here to help you and provide a free estimate. We’ll even come to your home to evaluate your artwork! Talk to an experienced conservator today to see how much it may cost to repair or clean your paintings or other artworks.

an older, well-dressed white man with gloves on using a microscope to analyze a painting

Head Conservator, Scott M. Haskins analyzing the condition of the painting on the table

Fine Art Conservation Laboratories’ 45 years of expertise in preserving and restoring art offers invaluable help and practical knowledge for helping people through the insurance claim process for damaged collectibles and art pieces. Our experienced team understands the complexities of insurance claims related to art, heirlooms, and antiques, providing reports that are properly prepared with information that the insurance company never puts in doubt. Fine Art Conservation Laboratories charges flat fees for this work, not a percentage of the claim settlement, and our expertise is honored nationwide. Let us help make the art, heirloom, and collectible part of the insurance claim process as seamless as possible and preserve your peace of mind. 

You can contact Fine Art Conservation Laboratories at (702) 757-3820

Or visit our website at: www.facllasvegas.com to get started on the journey of preserving your artwork’s beauty and history.

This blog post has been syndicated at ExpertClick.com. 

What does it mean that this article is “syndicated”?

It’s a bit of a coup to get an article syndicated, and it’s certainly prestigious, as additional “proof” that the info and the author are considered far and wide authoritative and an expert in the field. So, enjoy and trust our content!! This article was syndicated for USA National Redistribution.

When something is published, usually by a news source, and is made available through different venues for redistribution then it is said to be syndicated. Publications that are syndicated are usually considered of value as being from an expert, educational, new worthy or valuable for wide popular interest. See the syndication page at the renowned publicity site: https://www.expertclick.com/NRWire/

This website’s syndication included:

1) Included in the ExpertClick Press Room as a ‘press release.’ (different than a ‘news release’)

2) Included in the ‘Speaker Bureau Platform Page.’

3) Shown on the front page of ExpertClick, in rotation with other most recent posts.

4) Shown in the ‘News Release Results page.’

5) Included on optimized for searches on all my topics of expertise.

6) Shown via RSS linked from the Press Room. (A specific way news is actively distributed within the industry)

7) Shown in the full RSS feed from ExpertClick. (Another, different specific way news is actively distributed within the industry)

8) Syndicated to LexisNexis.com As of 2006, the company had the world’s largest electronic database for legal and public-records related information, distributor of academic content and expert opinion.

This article has been syndicated at https://www.expertclick.com/NRWire/

Posted in Consultations | Tagged , , | Leave a comment