Art Restoration/Conservation – Sneak Peak In The Lab This Week

Here’s a couple of pictures of art conservation treatments in the lab this week:

Large paintings need special handling to make sure the paint is not stressed:

Large paintings on large diameter rolls

and… doing structural work on two paintings. The closest one needed previous restorations removed and then a new  “lining” to correct and stabilize cracking. The second did not require undoing previous restorations but needed a consolidation and warmth to stabilize flaking.

Oriana Montemurro Working on two paintings



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Conservation questions? Call Scott Haskins 805 564 3438

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Mold on Watercolor by Edouard Vysekal with an interesting story

Edouard Antonin Vysekal (Czechoslovakia, Hora, 1890 – 1939)

Edouard Vysekal’s watercolor with mold is one of those art conservation stories that’s particularly interesting to art collectors:  I was called one day by to look at a framed watercolor that had mold on it. Turns out that the lady who called was the 84 year old niece of the Edouard Vysekal, a well know California artist for whom an exhibition is being organized, right now (more on that further down in the article).


Preparatory watercolor for oil done in 1929

The watercolor is a preparatory drawing that the 84 year old niece sat for when she was 2 years old in 1929, holding “Uncle Edouard’s favorite cat.

Mold on matting and watercolor

Mold on matting and UL corner of watercolor

The mold was quite active but only growing on the upper left area of the matt and on the watercolor. Still quite tame but critical to get under control (code for “removal – clean – stabilize”). So, in the lab, we got rid of the old moldy matt, kept the original frame (cleaned it thoroughly), cleaned and killed the mold with solvents, deacidified the good quality watercolor paper and reframed it with a new acid free buffered matt. Nothing too extensive… $350.00 worth of effort, all complete with pick up and delivery to the house.

The sitter for the painting, 82 years ago

The subject of the painting, 82 years ago.

Here’s a nice picture of the 84 year old niece today. Notice the self-portrait of “Uncle Edouard” with his cat behind her. And here’s a photo of the final oil (we didn’t work on this, even though the colors would improve with cleaning) that Vysekal did from his preparatory watercolor.

Oil painting of girl with cat by Edouard Vysekal

Oil painting of girl with cat by Edouard Vysekal

I think this is all interesting stuff: to see the sitter for the painting 82 years ago and to see the preparatory watercolor for the oil. It was fun to meet the niece and see what these paintings have meant to the family and to hear how loved “Uncle Eduard” was and I like seeing Vysekal’s cat in several of the paintings.

The Vysekal exhibition and publication are being curated by Marian Kovinick  and will be held at the Pasadena Museum of California Art (PMCA):

Love Never Fails: The Art of Edouard and Luvena Vysekal

September 18, 2011 – January 8, 2012

This exhibition brings together the work of two talented artists, the husband and wife team of Edouard and Luvena Vysekal, whom artist Arthur Millier described as, “diminutive, complementary and unfailingly energetic; inseparable in life, art and in newsprint.” Love Never Fails will focus on their distinctive artistic styles and how they became emblematic of modernism in a conservative art community, opening the door to an aesthetic taste for the avant-garde.

This exhibition is curated by Marian Yoshiki-Kovinick.

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Conservation Questions? Call Scott Haskins 805 564 3438     best_artdoc@yahoo.com

Appraisal Questions? Call Richard Holgate 805 895 5121

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Painting by Minerva Teichert Glued to Plywood Removed- Why?



Minerva Teichert's Pioneers

Pioneers by Minerva Teichert



This wonderful painting on canvas by Minerva Teichert of Pioneers was glued down to plywood when it was last restored… and a poor job it was. Bubbles or detachments showed how unevenly and poorly it was attached. But here’s a question for you: Should paintings be glued down to plywood?… or Masonite?

Both plywood and Masonite are highly acidic materials and accelerate the embrittlement and deterioration of fabrics and paper. So, therefore, it is WAY not archival!

One of our first jobs is to get it safely off the plywood…


Art conservation treatments undo previous poor quality restorations

The roll is to avoid kinking the painting or stressing the paint layers



 



Dissecting the layers

Carefully separating the canvas from the plywood

More later on the update of the art conservation treatments… and maybe we’ll make a short video of the art restoration treatments. Stay in touch.

This painting normally hangs in the Museum of Church History and Art of the Mormon Church. It was painted by one of the most important early artists of LDS art.

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Ripped Painting – Is It Dirty Too?!

Even though I look at 1000’s of paintings a year evaluating them for art conservation needs I’m still often surprised at how dirty a painting is. Its unexpected because the image and colors look so even. If something were “dirty” you’d think that you would see, well, crud and dirt. But you really can’t see HOW discolored, dirty, grimy a painting is until you get a test done.

This really great quality western art painting came in the lab after it was ripped/damaged in shipping. The client was stupefied to see the cleaning difference… and ecstatic! The cleaned painting was a vision, full of fabulous colors!

Dirty and Ripped Painting

Unexpected cleaning difference when brought in for rip repair

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Naval Air Base Historic Mural To Be Saved


Historic mural on Naval Air Base

The Spanish landing in the new world.



A week or so ago, I was asked to consult for the Naval Air Base in Fort Lauderdale Florida. They had 95 deg., 95 % humidity and forest fires that filled the air with smoke and ash. I was happy to leave!


They have a historic building infested with black mold that is going to be demolished and they need to know the “ins and outs” of getting an historic mural removed. A simple job= $15K… a difficult job=$275K. Why the difference?


Brittle paint and glued to the wall with lead white adhesive make this a very difficult removal job (to do it safely). But it can be done…


Historic Mural on Naval Air Base

This mural is 35' long.



Interesting post? Leave a comment!


Scott M. Haskins 805 564 3438


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Mural Conservation Work Begins On Jesus Biola Mural

Work began last week on the art conservation aspects of preserving this mural, which is my part of this project. I did a video of this work you can see at https://www.fineartconservationlab.com/twitchell-biola-jesus-mural/ (its the 2nd video) . Meanwhile, Kent is in the studio mixing paint (see his testimonial about who helped him at http://www.youtube.com/watch?v=WWtPDRg24Z0 … its the 3rd video) and getting ready to do his restoration work to make it look as good as new. We’ll shoot a video of that too.




Kent Twitchell and Scott Haskins

Scott Haskins and Kent Twitchell Examine Progress of Art Conservation Work on Jesus Mural


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Biola Jesus Mural Tested for Art Conservation Needs – Collaboration with Artist Kent Twitchell

I met with Kent Twitchell at the end of last week and we looked over his mural at Biola University in La Mirada (Los Angeles), CA. Known as the Biola Jesus Mural, here is the video of our tests and conversations:

I’ll make another video next week about the first phase of treatment. Its a very cool project. Kent is great to work with.

Kent Twitchell's Jesus Mural at Biola

Kent Twitchell's Jesus Mural at Biola University

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Returning from Professional Art Conservation Organization – AIC National Meeting in Philadelphia



Out for a good walk in Philadelphia




I’m just returning from the annual meeting of the national professional organization for art conservation: The American Institute for Conservation (AIC). Our profession includes art conservators/restorers, conservation scientists, art history/conservation students and specialized professionals with conservation backgrounds in areas like lighting, exhibits, shipping, research. You’d be surprised at how much art conservation studies contribute to art history. Professionals come from major museums, from historical societies and libraries and from the private sector. Highly esteemed professionals with great skills come from every venue and part of the country.

Perhaps you would also be surprised of all the specializations in professional conservation? The AIC has divisions or “Specialty Groups” that include: Paintings (paint on canvas, murals, panels, paper and on other items), paper and books (subdivided into art on paper and library materials), architectural conservation, textiles, objects (archeological materials, glass, ceramics, stone, leather, and other natural materials), wood and furniture, Scientific Technology/Research. Of course, within those specialties you find lots of sub-specializations and niches that people get into. The important thing that you will want to remember is that no one can know it all… its hard to be an expert, even, in more than one area!

One of the highlights was an exclusive evening reception at the Philadelphia Museum of Art. You have to go there! What a place… and a GREAT collection is awaiting you.



Exterior of Philadelphia Museum of Art

Philadelphia Museum of Art




AIC asked me to blog/comment about a couple of the talks on the new AIC blog site at http://www.conservators-converse.org. As you can see on this blog, there were some interesting talks about some pretty “complicated” subjects. It was a good conference and I always enjoy reconnecting with associates and friends all around the world.

One of the functions of the organization is to set a standard of ethics and practices that conservation professionals adhere to. This is a major issue when dealing with professionals who will treat your possessions and you with respect. All public conservation contracts (government) require this adherence!



The only sculpture that Degas ever exhibited



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Exhibition: “Art in the Streets” at the Museum of Contemporary Art in Los Angeles missed a BIG opportunity to be a “guiding light institution.”

The Museum of Contemporary Art in Los Angeles

missed a BIG opportunity to be a “guiding light institution”

in the Exhibition: “Art in the Streets”



Graffiti vandal

Street Artist or Graffiti Vandal?


Exhibition Entrance to Art in the Streets at The Museum of Contemporary Art in LA

Exhibition Entrance to Art in the Streets at The Museum of Contemporary Art in LA

On a related subject to the article that follows after this, I’m moved to comment on an interesting controversial art exhibit that shows off street art, graffiti etc. Is it really art… or vandalism!? The fact that I am a professional art conservator interested in the preservation, protection of murals you might say, “Duh.” But I’ve had emotional deep felt discussions with Kent Twitchell, Willie Herron, Thomas Suriya and Judy Baca (four of the most famous mural artists in Los Angeles) who paint in the streets and they have VERY strong opinions on this issue. There’s really not a gray area.

I come from a position of experience dealing with the damage caused by “street artists” who think they have rights or freedom of expression to vandalize, deface private and public property, ruin true works of art that have a legal right to exist and whose defacements represent and promote the dregs of society. The only justification that these outlaws have is the same mentality that they think justifies anarchy. If you didn’t understand that last statement, well, it means “stop tagging, its wrong” (as if that will help you “get it”).

Vandalized public transportation

The show at MOCA shows off the art skills of some great street artists. Don’t compare these skills to the scribbled comments and scribbles on walls you will see around town. Some of these artists are true geniuses and their art is amazing. There is a place for it and it beautifies and stimulates a community.

The difference between their art and graffiti tagging is the difference between the NBA and backlot pick up ball in grade school.

But MOCA blew it big time. They confused the public’s perception and actually taught the public through different media about the skills of taggers… not artists: destroyers of public and private property. The MOCA show, while making a small obligatory mention of tagging being bad, there was not a “stand taken” and a line drawn between tagging and quality street art. There was no teaching. In the interest of misguided freedom of expression, they missed the boat on educating the public and did not express both sides of the difficult and insidious debate/problem.

The Mural Conservancy of LA Executive Director, Isabel Rojas-Williams told me they connect with many past teenage taggers who are now grown up, with families, jobs etc. They almost universally express regret for having defaced and vandalized… especially the works of public art by the great muralists.

graffiti covered murals

A teenage brain fart that causes damage to private and private property and public art is wrong, bad for society, bad for the soul and a counterfeit imitation masquerading as (in their minds) art in the streets.  “Art in the Streets” at the Museum of Contemporary Art missed making that distinction in a clear and public way.

Scott M. Haskins

Conservator of Fine Art

https://www.fineartconservationlab.com



Vandals NOT Street Artists

VAndals NOT street Artists




Caltrans and Mural Conservancy of Los Angeles

Bring In Experts and

Inspect Downtown LA Freeway Murals


Vandals brutalize public art

Vandals brutalize public art



Gorgeous Murals Overcome By Teenage-Brain-Farting-Graffiti-Vandals

Freeway murals in downtown LA are really a study on the subject of the battle against graffiti and tagging vandals. Caltrans (the highway maintenance authority in the State of California) is required by law to keep graffiti under control and off walls… even if those walls have really great murals on them. The Mural Conservancy of LA is the main voice lobbying to protect and save the outdoor mural creations of artists in LA. So, you would think these two entities would be at odds.

But I attended a meeting with representatives from both of these two organizations on Thurs. April 28th, 2011 as an art conservation consultant and expert with the purpose of figuring out the problems associated with preservation, conservation and restoration of these great works of art in the form of murals along the sides of freeways. This was not a run of the mill meeting, in a corporate office with suits.

Privileged parking

We met, as you might guess, in the office of Caltrans: behind fluorescent orange cones, closing down a traffic lane in downtown LA at 8 am in the morning. They are the “gods of the highways.” We got a “do or die” safety orientation, then followed dutifully to an on-ramp by an overpass with obliterated murals by the best and most famous outdoor mural artist in Los Angeles, Kent Twitchell. We parked behind the same orange cones where you will NEVER get to park in your whole life and took the short walk to stand in front of the murals. There we did tests, measured the dimensions, took pictures and video and discussed the past efforts by several well meaning organizations over the years. We did this procedure for 4 murals in different locations, one completed painted out and no longer visible.


Photo by Gil Ortiz

Photo by Gil Ortiz


The purpose of this meeting was agreed upon ahead of time to be a cooperative synergistic effort to put heads together and figure out how to show off the murals and keep the graffiti off them… a problem that had been wrestled with for decades… BUT, an old problem that may have “fresh legs.”

There have been some new developments and new techniques in graffiti removal and mural protection. There was encouraging dialog and a commitment to discuss, cooperate, test the procedures and make progress with this insidious problem. “Fired up” would be a good way to express the expectations of further efforts and expected positive results. We’ll keep you informed. It shouldn’t be too long into the future. We’ll post very cool, compelling photos and some very unique video on several websites.


Scott M. Haskins, Fine Art Conservator

Sign up for my blog updates at https://www.fineartconservationlab.com

We’ll also post notices of articles on Facebook at “Mural Art Conservation”

The Mural Conservancy of LA is at www.lamurals.org

For videos of another interesting mural project, click on this link: www.fineartconservationlab.com/la-produce-market-murals

www.fineartconservationlab.com/twitchell-biola-jesus-mural

Graffiti busting strategies





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Mural Conservancy of Los Angeles Meets with Caltrans To Inspect Downtown LA Freeway Murals


Taggers Vandalize Public Art

Gorgeous Downtown LA Murals Obliterated by Teenage Brain Farting Graffiti Vandals

Freeway murals in downtown LA are really a study on the subject of the battle against graffiti and tagging vandals. Caltrans (the highway maintenance authority in the State of California) is required by law to keep graffiti under control and off walls… even if those walls have really great murals on them. The Mural Conservancy of LA is the main voice lobbying to protect and save the outdoor mural creations of artists in LA. So, you would think these two entities would be at odds.

But I attended a meeting with representatives from both of these two organizations on Thurs. April 28th, 2011 as an art conservation consultant and expert with the purpose of figuring out the problems associated with preservation, conservation and restoration of these great works of art in the form of murals along the sides of freeways. This was not a run of the mill meeting, in a corporate office with suits.

Privilaged parking

We met, as you might guess, in the office of Caltrans: behind fluorescent orange cones, closing down a traffic lane in downtown LA at 8 am in the morning. They are the “gods of the highways.” We got a “do or die” safety orientation, then followed dutifully to an on-ramp by an overpass with obliterated murals by the best and most famous outdoor mural artist in Los Angeles, Kent Twitchell. We parked behind the same orange cones where you will NEVER get to park in your whole life and took the short walk to stand in front of the murals. There we did tests, measured the dimensions, took pictures and video and discussed the past efforts by several well meaning organizations over the years. We did this procedure for 4 murals in different locations, one completed painted out and no longer visible.

Twtichell covered with graffiti
Mural by Kent Twichell covered by graffiti

The purpose of this meeting was agreed upon ahead of time to be a cooperative synergistic effort to put heads together and figure out how to show off the murals and keep the graffiti off them… a problem that had been wrestled with for decades… BUT, an old problem that may have “fresh legs.”

There have been some new developments and new techniques in graffiti removal and mural protection. There was encouraging dialog and a commitment to discuss, cooperate, test the procedures and make progress with this insidious problem. “Fired up” would be a good way to express the expectations of further efforts and expected positive results. We’ll keep you informed. It shouldn’t be too long into the future. We’ll post very cool, compelling photos and some very unique video on several websites.

Please Click on the THUMBS UP if you liked this article

Scott M. Haskins, Fine Art Conservator

Sign up for my blog updates at https://www.fineartconservationlab.com

We’ll also post notices of articles on Facebook at “Mural Art Conservation” http://www.facebook.com/pages/Mural-Art-Conservation-Restoration/176077192428392

The Mural Conservancy of LA is at http://www.muralconservancy.org

For videos of another interesting mural project, click on this link: www.fineartconservationlab.com/la-produce-market-murals



Fighting back the vandals

Fighting back to save the murals


Exhibition: “Art in the Streets”

at the

Museum of Contemporary Art in Los Angeles

missed a BIG opportunity to be a “guiding light institution.”


Entrance to MOCA Art in the Streets

Entrance to MOCA Exhibition Art in the Streets


On a related subject, let me comment on an interesting controversial art exhibit that shows off or applauds street art or aerosol art but fails to separate from the work of these artists the vandalism of graffiti. There’s a huge difference and the artists themselves know the difference. This is not a question of taste or liking one style of art better than another. Even if the lettering of graffiti is decorative, that doesn’t make it art any more than calligraphy is generally considered art. But defacing someone else’s property does make it vandalism.

As an art conservator who works on murals, I deal with the damage caused by “graffiti vandals” who think they have rights or freedom of expression to vandalize, deface private and public property, ruin true works of art that have a legal right to exist and whose defacements represent and promote the dregs of society. The only justification that these outlaws have is the same mentality that justifies anarchy.

Public transportation graffiti
Public property vandalized

HOWEVER, the show at MOCA shows off the art skills of street art that could be compared to the NBA compared to the regular “street art” and scribbled comments on walls you will see around town. Some of these artists are true geniuses and their art is amazing. There is a place for it and it beautifies and stimulates a community.

The MOCA show, while making a small obligatory mention of tagging being bad, there was not a “stand taken” and a line drawn between tagging and quality street art. There was no teaching. In the interest of misguided freedom of expression, they missed the boat on educating the public and did not express both sides of the difficult and insidious debate/problem.

As much as I like street art or aerosol art in the right locations, I think its pretty obvious that graffiti tagging with monikers is vandalism.

The Mural Conservancy of LA Executive Director, Isabel Rojas-Williams told me they connect with many past teenage taggers who are now grown up, with families, jobs etc. They almost universally express regret for having defaced and vandalized… especially the works of public art by the great muralists.

Murals in downtown LA vandalized
Gorgeous downtown LA mural vandalized

A teenage brain fart that causes damage to private and private property and public art is wrong, bad for society, bad for the soul and a counterfeit imitation masquerading as (in their minds) art in the streets.  “Art in the Streets” at the Museum of Contemporary Art missed making that distinction in a clear and public way.


Please Click on the THUMBS UP if you liked this article

Scott M. Haskins, Conservator of Fine Art

https://www.fineartconservationlab.com


Vandals - NOT Street Artists

Vandals - NOT Street Artists



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