Banksy Mural in LA

Posted on November 3, 2011 by Scott M. Haskins

I’ve been working with a team of people for the last 6 months who have been trying to get their act together to save a Banksy mural from demolition on a Gas Station wall in West LA. Banksy did the mural while he was in LA for a wedding a couple of years ago. He actually asked the owner if he could “tag” the wall with his spray paint mural and was given permission!

So, I went to Los Angeles today to meet with owners, contractors and auction house reps to discuss taking the mural off a wall and then the final result will be sold at auction. It looks like they are ready to get started in the next couple of weeks… maybe. Here’s the photo of the mural, which you can’t see anymore cause its covered up to protect it.



Banksy mural

This is one of two murals.


If you haven’t heard about Banksy, he’s a English graffiti artist that has achieved celebrity status. If you’d like to be “in the know” go to banksy.com or look him up on Wiki. Even a movie has been made of him and his work called “Exit Through the Gift Shop”. See banksyfilm.com. This should make for some interesting posts and a video. Stay tuned!

Any guesses as to the value? Leave a comment! Give this a THUMBS UP?!

Art conservation questions? 805 564 3438

Art appraisal questions? 805 895 5121

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Twitchell’s Mural Jim Morphesis Monument Is First Mural To Be Adopted and Cleaned

Posted on October 14, 2011 by Scott M. Haskins


Jim Morphesis Monument under Temple St. Overpass in LA

Jim Morphesis Monument on the 101 freeway in downtown Los Angeles

Kent Twitchell painted the mural “Jim Morphesis Monument” under the 101 freeway overpass of Hope St. It is part of a two piece mural diptych called “7th Street Altarpiece”, the other mural being that of Lita Albuquerque. And “7th Street Altarpiece” is part of the 1984 Olympics murals series that adorned our freeways with 12 murals by living masters. Since their placement on the freeways, however, vandalism has saddened millions of Los Angelinos and visitors.

There have been several attempts over the years to restore “Jim Morphesis Monument” and the other murals but efforts have always fallen short. WHY? Click HERE to be linked to the page with the video… very interesting!

Well, The Mural Conservancy of Los Angeles (MCLA) to the rescue and there has been great progress! This first mural is on the list to benefit from the new partnerships.

Kent Twitchell assisted in testing the cleaning of Jim Morphesis Monument.

Kent Twitchell in front of the heavily tagged Jim Morphesis Monument

Several cleaning processes were evaluated and a combination specifically customized to meet the needs of this particular mural looks like the right method to get the job done safely for the mural. Here’s a great photographic shot of the graffiti peeling off the original mural and allowing the gorgeous original colors to come screaming into the day light once again. Kent Twitchell was blown-away-happy by the successful results of these cleaning tests. So, you are getting the latest news scoop!

Removing graffit

Graffiti removal from mural by Kent Twitchell

Want to see FACL, Inc. and Scott M. Haskins in action? Want to see the processes? Want to see and know the inside scoop on this super cool high profile job that millions will be seeing? Click HERE to be linked to the page with the video… very interesting!

This blog site is the first place the information will be posted.

So, sign up for blog updates NOW!

Please spread the word. Click on the THUMBS UP. Leave a comment.

Mural conservation and art conservation questions? Call Scott M. Haskins 805 564 3438

The Mural Conservancy of Los Angeles: Executive Director, Isabel Rojas-Williams 213 291 6900 http://www.muralconservancy.org

Would you like to donate to help save the murals?
Here is the link to MCLA’s membership/donation page:





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Mural Restoration of Steve McQueen Monument Public Art Mural by Original Artist Kent Twitchell

Posted on October 12, 2011 by Scott M. Haskins

The recent discovery of a preparatory drawing of the actor for this iconic mural was recently discovered! Its restoration and display at a recent 2022 exhibition got quite a bit of attention. This info has been added to this blog post about the restoration of the mural, which occurred some time ago.

Steve McQueen Monument by Kent Twitchell

Steve McQueen Monument by Kent Twitchell painted in 1971

Today (back in 2011), I helped Kent Twitchell finish up a couple of murals he’s been working on/restoring by applying the final varnish: one is the Stother Martin Monument located at Kingsley Drive at Fountain Avenue in Hollywood and the other is the Steve McQueen located near NW corner of Union Avenue and 12th Street, just west of Downtown LA.

At the time of this blog post, Kent was doing the restorations with the assistance of the Fresco School (see Facebook). You can see his murals and read a quick blip at:

https://www.stevemcqueensite.com/updates/mcqueenmural.htmhttps://www.stevemcqueensite.com/updates/mcqueenmural.htm

BTW, for those of you who don’t know, Kent Twitchell is the original artist of the murals. These murals were the beginning of mural painting in LA back in the 70’s. That makes them historic I guess. Historic or not, they are really great works of art and I love them and thankful that they are being preserved for another generation.

Add-on to this article: In 2019 I was rummaging through long forgotten boxes of stuff with Kent and pulled out a preparatory planning sketch Kent made from a live session and with collaboration with the actor while doing the Steve McQueen Mural Monument. It is so cool, I thought you’d enjoy seeing it.

You can’t catch the brilliance of the artist and the “coolness” of the sketch without enlarging it close up to see the “pixillation” Kent does to render his subject. Yet, from afar, it looks photographic. This sketch is 45″ tall x 24″ wide. Here’s another photo of the mural.

During 1971, early Los Angeles public artist Kent Twitchell painted his first realistic mural. He called it “Steve McQueen Monument” and pictures of it began appearing in newspapers everywhere, a two-story cool blue phantom coming out of a house a few blocks west (12th Street and Union Avenue) of Downtown Los Angeles.

The mural stood as a landmark for nearly 30 years, possibly the oldest extant LA Mural of the movement that influenced similar movements throughout the world. Then it was mysteriously painted out. Rumor was that a family from a different country had moved into the house. They did not speak English and did not realize its cultural importance to the City. Eight years later Graduate Art History major Fernando Cervantes, working on a paper about the art of Kent Twitchell, took it upon himself to go to the house and knock on the door. He discovered that yes, there were language issues but the new owners very much wanted the mural restored. Workers had painted it out by accident.

Twitchell decided this was the ideal time to restore his landmark monument, the 30th year after his favorite actor’s death. As he completed the restoration, he solicited the expertise and assistance of renown Los Angels art conservator, Scott M. Haskins to help him with an anti-graffiti coating to give maintenance efforts a chance at prolonging the live of the beloved mural.

Interested in knowing how to better protect public art and murals from graffiti? See the article I wrote on Street Art vs. Graffiti Vandals at http://bit.ly/qKySHP

Questions about mural conservation? Call Scott M. Haskins at 805 564 3438

Subscribe to our YouTube channel at “bestartdoc”

And sign up for updates on this blog NOW! We’ll keep you up to date on all the inside scoops.

Ciao.

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Cleaning A Layer Of Nicotine Yellow Off A Painting – Case in Point, Delirium Flesh by David Mann

Posted on September 22, 2011 by Scott M. Haskins
Giclee by David Mann, Delirium Flesh

Delirium Flesh by David Mann

I’m delivering this back to its owner tomorrow. He’ll be thrilled to see the wonderful colors “back.” He really loves this print/giclee. It goes well with his Harley. This was a case when the love justifies the price even though the value may not.

This painting was a an investment purchase by an art collector. Cleaning the nicotine yellow layer really improved the colors… or should I say returned the colors back to their original appearance. Given the value of the artwork, the decision to restore the painting (clean and varnish it) was a no brainer.

Removing the yellow layer of nicotine from off a painting

Cleaning off the layer of yellow nicotine from a painting

Art conservation questions? 805 564 3438
Art appraisal questions? 805 895 5121

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Removing Paint and Graffiti From Murals – Short Very Interesting Video

Posted on September 17, 2011 by Scott M. Haskins

Fair Park Dallas, Texas by Carlo Ciampaglia and the 1984 Olympic Freeway Murals in Los Angeles by Kent Twitchell, Judy Baca and Alonzo Davis are featured in this super interesting short video on removing paint and graffiti from murals.

At Fair Park, the continual art conservation services of consulting, working with other contractors, providing art conservation services has continued since 1999. Much of this work has been in collaboration with Nancy McCoy, Historic Preservation Architect of Dallas, Texas who has done a fantastic job as being the overseer on many projects at Fair Park for the City of Dallas. Her contact number is 214 977 9118

In Los Angeles, The Mural Conservancy of Los Angeles may still be heading up an Adopt A Mural Program for the 1984 Olympic Freeway Murals. But, even though they named FACL, Inc as the Property Manager for organizing the logistics of cleaning, protecting and maintaining initially 4 heavily tagged murals… they backed out of the agreement and the original artists of the murals remove graffiti as they can with the info and methodologies we have provided. This work is done in cooperation with Caltrans, Public Works and several other entities. They are at an impassion right now hen it comes to establishing and following through with a long range plan to extend the program to other outdoor murals in LA.

Mural conservation questions? Call Scott Haskins at 805 564 3438

Art Appraisal questions? Call Richard Holgate at 805 895 5121

Click on the THUMBS UP on this article/video now, please

Graffiti removal by Scott m. Haskins from mural by Kent Twitchell on Los Angeles freeway

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Art Conservation Consulting Overseas, Out of State, Door to Door

Posted on September 16, 2011 by Scott M. Haskins

I consulted with a client in Hawaii today about doing the conservation work and making several historic paintings of volcanoes and lava look their best.



Julies Tavernier - Kilauea Volcano

Kilauea Volcano by Julies Tavernier


As an aside, while good photos might be helpful in having a better conversation over the phone, it is impossible to give estimates of costs for cleaning, sight unseen. The cleaning process is not a task that is estimated by the sq. in. like linoleum or hardwood floors. Cleaning requires testing the discolored varnish, testing the ease of removability of the nicotine layer, whether previous dirt was varnished over (and how long ago), is the varnish damar, mastic, Urethane or a linseed oil mixture? And most important, does the original paint dissolve with the varnish? Sometimes the clouds in the sky are stable but the leaves in the trees are not. The list of variables goes on and on.


In the last month, I’ve visited with and discussed projects for people in London, England, Salt Lake City, UT, Hawaii and many times for clients and inquiries from San Francisco to Orange County, CA.


Have questions: Call Scott 805 564 3438

Art appraisal questions? Call Richard 805 895 5121

www.fineartconservationlab.com

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Kent Twitchell Partners With Scott Haskins to Finish Art Conservation of Mural at Biola University

Posted on September 12, 2011 by Scott M. Haskins

This video link of the art conservation/restoration of monumental realistic beautiful outdoor mural by Kent Twitchell at Biola University will take you to the dedicated page for this project. Kent teamed up with Scott Haskins to resolve difficult conservation questions and FACL’s Virginia Panizzon helped with the color matching and color development processes. It was a super interesting project. Kent’s work ethic, professionalism and quality of work is a mind blower!  http://bit.ly/iF59qd

Its the 3rd video on the page (largest). If you like the video, please leave a comment and click on the THUMBS UP!



Kent Twitchell is the leading muralist in Los Angeles, known world wide. Put his name into Google and pack a lunch cause there’s a lot of interesting stuff to read. His murals are always huge, gorgeous, realistic and interesting.


He is also the co-founder of the Mural Conservancy of Los Angeles and is a driving force to get outdoor murals protected from graffiti. He’s been doing murals for decades.

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Dutch Old Master Painting Glows After Cleaning

Posted on September 9, 2011 by Scott M. Haskins


Art Conservation just completed on this Dutch Old Master

Art Conservation just completed on this Dutch Old Master and its frame

The art conservation on this beautiful Dutch Old Master, oil on panel, was just completed for an art collector in Las Vegas. Even though it was a pretty painting, I think he bought it for a very good price at auction because it had a lot of retouching on it and was covered with a discolored varnish.
During the cleaning of this painting, we took off all of the previous retouchings and then only put back on a fraction, carefully restricted to damage, which we assume increased the value. We also cleaned the old discolored varnish off to reveal the glow of the original. This was really treat to see completed.
The Victorian frame is not original, although it is beautiful… or used to be before someone “restored” it some time ago with goopy gold paint. While the painting was being worked on, we had the frame restored too. It was stripped of the ugly gold paint and was re-leafed with 23 k. gold and antiqued to a period finish, similar to its original finish. The frame is from the middle of the 1800’s. The painting is from a hundred years earlier.
Art conservation questions? Call Scott at 805 564 3438
Art appraisal questions? Call Richard at 805 895 5121
See other tips for art collectors at www.tipsforartcollectors.org/uv-blacklight



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Double Cleaning a Painting by LeConte Stewart

Posted on September 8, 2011 by Scott M. Haskins



Double cleaning of an oil painting

Sometimes different layers of dirt come off with different solvents and require a double... or even a triple cleaning.


Over the years I have used this photo to show of the stages of cleaning a rural Utah landscape by LeConte Stewart as an example of how, sometimes, a painting can require several cleaning stages to get it completely clean during art conservation treatments. This is really quite a common situation where the solvent that takes off the top layer of crud, doesn’t touch the underlying discolored varnish layer… and sometimes it can be more than two layers! When doing the cleaning tests in order to estimate a budget, this multiple cleaning is usually met with conflicted feelings by the owner: its thrilling to see how big a difference there will be but… the double or triple cleaning process is more expensive. Its part of the price to get the job done right. I can’t tell you how often we have people bring paintings in the art conservation lab that have JUST BEEN CLEANED by someone else… they failed to either know what to do or they didn’t see the additional layer of discoloration left behind after the first cleaning… and the painting still need to be cleaned further.

When I cleaned this landscape by LeConte Stewart years ago, I didn’t really know the artist’s work. I’ve worked on a few more paintings by this artist over the years usually through William Karges Fine Art or George Stern Fine Arts. But then, this week, I was meeting with the LDS Museum of Church History and Art in Salt Lake City, UT and they had up a wonderful exhibition of LOTS of Stewart’s paintings.

Actually, two Salt Lake Museums are exhibiting the works of this Utah painter, which marks the first ever joint collaboration between the LDS Church History Museum and the University of Utah Museum of Fine Arts. I saw the exhibition at the LDS Museum of Church History. See video and KSL article at http://www.ksl.com/?nid=148&sid=16473783

I was really wowed. His artwork, large and small, was of a very nice quality. He was very poetic in interpreting boring rural Utah landscapes into beautiful colors, contrasts, composition and emotions that I would have never thought possible… and was drawn to! His perspectives, draftsmanship and confident execution are consistent throughout the exhibition. It was a real pleasure and inspiration.

If you have the chance to get by the museum for the show, set the time aside. I wish the museum would have published a catalog. But they did produce a DVD that is available in the gift shop.

Do you have art conservation questions? Call 805 564 3438

Art appraisal questions? Call Richard at 805 895 5121

For more important tips for art collectors, go to www.tipsforartcollectors.org/uv-blacklight

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Meeting with Clients in Las Vegas and Utah

Posted on September 5, 2011 by Scott M. Haskins

I’m on the road right now, meeting with private clients in Las Vegas, NV and Murray, and with museum clients in Springville, UT and in SLC.



Paul Lauritz's "Crashing Harmony"

Art conservation treatments done on Crashing Harmony by Paul Lauritz


Springville Art Museum Director, Vern Swanson was thrilled with the cleaning and lining we did of their world class 50″ x 60″ Paul Lauritz of waves crashing on tide pool rocks, “Crashing Harmony.”. He loved the much brighter colors and that way the disturbing cracks disappeared. We also cleaned a John Hafen of hay stacks and took off all kinds of retouchings that had no reason for being there! I mean, when we cleaned them off, there was perfect paint below. So, it was great to return his painting with 95% less retouchings… and much better colors… even though it was a Tonalist piece.

He took the time to talk to me about the recent mural I saved from demolition in London, England. He was very enthusiastic about the efforts to save a cherished work of art, that’s well done and that he grew to love while attending church in that building for several years. So, he knows that image intimately. For more info on this project see http://mormonartconservation.org/murals/mural-removal-hyde-park-chapel-london/

Tomorrow morning, I’ve been invited to attend a committee meeting between the LDS Church History Dept. and the Museum of Church History and Art. Then I get taken out to lunch!

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