Art Restoration: Water Damaged Mural in Los Angeles County- Hugo Ballin’s Art Deco Legacy

Posted on June 3, 2024 by Flora Arguilla

Unveiling the Secrets of Mural Restoration – Explore the Thrilling Journey of Preserving Cultural Heritage!

Join us on an enlightening journey as we delve into the fascinating world of mural art restoration through the experienced eyes of professional art conservator, Scott M. Haskins. Whether you’re captivated by the history of Los Angeles’ Golden Age, intrigued by painting and mural art conservation, or grappling with water-damaged artwork, this article promises to be an enlightening read for you!

“The first painting I ever worked on was high up on scaffolding in an 800 year old monastery at the top of a mountain in northern Italy, in front of a mural dated 1365, learning the restoration of murals from a very experienced veteran UNESCO mural conservator from Vicenza, who had worked on murals in the Buddhist temples in the jungles of Burma, and in the tombs of Egypt.

Besides working shoulder to shoulder and benefiting from his inexhaustible experience, I loved hearing his stories about his travels and his emotions as he told about working among the tombs of the dead, and how he felt from that unseen world.”

Anecdote from Scott M. Haskins: Fine Art Conservation Laboratories, Inc. (FACL) Head Art Conservator

Banksy’s iconic rat at Fine Art Conservation Laboratories for reassembly, preservation, restoration and preparation for a massive tour.

Conserving Hugo Ballin’s Legacy

“These memories recently became very poignant as we worked on the art conservation of murals by Hugo Ballin, in the mausoleum of the Woodlawn Cemetery in Santa Monica, California. Not only was Hugo Ballin’s tomb 15 feet from where we worked but we were surrounded by thousands of the dead who were constantly looking over our shoulders on this two-week project to preserve and restore these 5 murals! I was vividly reminded of my mentor, Paolo Bacchin’s stories of working in the world of the dead.

Given the positive message of the faith-based murals we were restoring, I guessed that, if he was indeed present with us, Hugo Ballin was encouraging us, inspiring us, and collaborating for the successful completion and preservation of his artwork, and for the positive cultural heritage aspects of the public art.” – Scott

two men, one older, one younger, stand in front of the Hugo Ballin Mural in the Woodlawn Cemetery

FACL’s mural conservation crew for the Hugo Ballin mural – Art Conservator Scott M. Haskins and art conservation technician, Denver Dillon

FACL is under contract with the city of Santa Monica as an expert in protecting and conserving public art. An additional competitive vetting process awarded FACL the work at the City cemetery. Over the decades, since the murals were painted, several issues including infiltrations of water and the resulting mold, break up of plaster, and other problems were patched up with the proverbial “Band-Aid on an open artery” type of repair. Proper stabilization and preservation were desperately needed to preserve beautiful public works of art for future generations.

Restoring Art Damaged by Water and Mold

The Impact of Water Damage

Water damage can severely impact paintings, murals, and other valuable items. This type of damage not only affects the visual appeal but also the structural integrity of the artwork. Issues can range from discoloration and mold growth to more severe damage like warping or flaking paint.

Example of flaking paint on a mural caused by water damage.

The vintage murals, originally painted in Hugo Ballin’s famous recognizable art deco style, were thinly painted in oil on lightweight canvas, and then glued to the walls of the mausoleum with a wall paper paste. The extent of the water damage was heartbreaking. These materials did not hold up well with water seepage and the rough handling of inexperienced maintenance and restoration personnel over the years.

Mold had infiltrated the paint layers, and the colors were dull and faded. But we knew with the right care, these murals could be brought back to life.

The Restoration Process

Restoring art damaged by water and mold involves several meticulous steps. First, we stabilize the artwork to prevent further deterioration. This may involve drying out the affected areas, removing mold, and treating the surface to halt the spread of damage.

Each mural needed to be carefully removed from the wall to be cleaned. FACL conservators needed to clean off the mold, remove loose dried glues, re-do busted-up plaster, and properly remount the original paintings on canvas back into their original positions on their original walls. Surface cleaning and revarnishing were done after this removal. All of this work was done with professional art conservation standards of practice and ethics.

Scott M. Haskins in the removal stage of the mural restoration process

Finally, we work on restoring the artwork to its original condition. This can involve repainting areas where the paint has flaked off, fixing any warping or structural damage, and applying protective coatings to prevent future damage.

“One of my favorite parts of the restoration process is seeing the colors come back to life. It’s like watching the artwork breathe again after being suffocated for so long.” – Scott

Related Services for Water-Damaged Art

At FACL, we offer a comprehensive range of services to address water and mold-damaged artworks. This includes decontamination, stabilization, and preventive measures to protect against future damage. Whether it’s a beloved family heirloom or a valuable masterpiece, we’re committed to preserving the integrity and beauty of your art.

Hugo Ballin: An Artist of Many Talents

Hugo Ballin was an extraordinary artist known for his remarkable contributions to both the art world and the film industry. Born in 1879, Ballin was an American artist, muralist, author, and film director. His creative journey took him from painting exquisite murals to directing memorable films. This unique blend of artistic talent and cinematic vision made him a standout figure of his time.

“When I first learned about Ballin’s dual career, I was fascinated. It’s rare to see such a seamless blend of cinematic and artistic talent. His films had a painterly quality, while his murals told stories with the depth of a film director’s eye.” – Scott

Hugo Ballin – Art Deco Mural Artist & Film Director

From the Silver Screen to the Painting of Public Art Murals

Hugo Ballin was, perhaps, the highest quality and most well-known mural artist in Southern CA, particularly in the Los Angeles County area, in the 1st half of the 1900s. In addition to his work in Southern California, he was well-known nationwide and was even part of the art competition at the 1932 Summer Olympics.

Before dedicating his life to mural painting, Hugo Ballin made a name for himself in Hollywood. In 1917, he began working for Goldwyn Pictures in New Jersey as an art director and production designer. By 1921, he moved to Los Angeles at the request of Samuel Goldwyn. Ballin directed several silent films, bringing his artistic vision to life on the silver screen. This experience in the film industry influenced his approach to art, allowing him to create murals that are not only visually stunning but also narratively rich. Ballin’s training in classical painting is evident in his murals, completed across the United States, which eventually made him one of the foremost muralists in the Los Angeles area. Notable works include murals at the W. M. Keck Foundation Central Rotunda at Griffith Observatory and a set of frescoes depicting the life and death of Christ, located at Woodlawn Memorial Cemetery in Santa Monica, where Ballin is also buried. Each piece tells a story, capturing the essence of the subjects with meticulous detail and vibrant colors. FACL, Inc. consulted on the project at Griffith Observatory.

“I remember visiting the Griffith Observatory as a kid, being awestruck by the grandeur of those murals. Little did I know, years later, I would be part of the team helping to preserve Ballin’s incredible legacy.” – Scott

Hugo Ballin Murals at the Griffith Observatory – Mount Hollywood in Griffith Park

Conclusion

Hugo Ballin’s legacy as a mural artist and movie director is enduring. His work continues to inspire and captivate audiences. At Fine Art Conservation Laboratories, Inc., we are honored to play a role in preserving his murals. Our expertise in dealing with water-damaged painting restoration ensures that these masterpieces remain as vivid and impactful as the day they were created.

For more information on our services and how we can help with your art restoration needs or questions about art conservation, contact us today at 805-564-3438.

Protecting the beauty and integrity of your artwork is not just our job—it’s our passion.

Serving the Western United States

Fine Art Conservation Laboratories, Inc. proudly serves areas from Santa Barbara County, CA to Orange County, CA, as well as Las Vegas and Salt Lake City, UT. Our work in art and restoration helps maintain the cultural and historical treasures found in these regions. We offer door-to-door services, ensuring that your paintings and murals receive the care they need without you having to worry about transportation.

“I’ve had the pleasure of working with clients across these areas, each with their unique stories and treasures. Whether it’s a mural in a historic building or a painting passed down through generations, the joy of seeing these pieces restored is immensely rewarding.” – Scott

Art Insurance Claim Guidance

Fine Art Conservation Laboratories’ 45 years of expertise in preserving and restoring art offers invaluable help and practical knowledge for helping people through the insurance claim process for damaged collectibles and art pieces. Our experienced team understands the complexities of insurance claims related to art, heirlooms, and antiques, providing reports that are properly prepared with information that the insurance company never puts in doubt. Fine Art Conservation Laboratories charges flat fees for this work, not a percentage of the claim settlement, and our expertise is honored nationwide. Let us help make the art, heirloom, and collectible part of the insurance claim process as seamless as possible and preserve your peace of mind.

This blog post has been syndicated at ExpertClick.com.

What does it mean that this article is “ syndicated”?

It’s a bit of a coup to get an article syndicated, and its certainly prestigious, as additional “proof” that the info and the author are considered far and wide authoritative and an expert in the field. So, enjoy and trust our content!! This article was syndicated for USA national redistribution.

When something is published, usually by a news source, and is made available through different venues for redistribution then it is said to be syndicated. Publications that are syndicated are usually considered of value as being from an expert, educational, new worthy or valuable for wide popular interest. See syndication page at the renowned publicity site: https://www.expertclick.com/NRWire/

This website’s syndication included:

1) Included in the ExpertClick Press Room as a ‘press release.’ (different than a ‘news release’)

2) Included in the ‘Speaker Bureau Platform Page.’

3) Shown on the front page of ExpertClick, in rotation with other most recent posts.

4) Shown in the ‘News Release Results page.’

5) Included on optimized for searches on all my topics of expertise.

6) Shown via RSS linked from the Press Room. (A specific way news is actively distributed within the industry)

7) Shown in the full RSS feed from ExpertClick. (Another, different specific way news is actively distributed within the industry)

8) Syndicated to LexisNexis.com As of 2006, the company had the world’s largest electronic database for legal and public-records related information, distributor of academic content and expert opinion.

This article has been syndicated at https://www.expertclick.com/NRWire/

Posted in Murals, Saving Public Art, Travel | Tagged historic preservation, Los Angeles, Mural conservation | Leave a comment

Heirloom Restoration… It may be treasured but is it worth it? Salt Lake City, Utah

Posted on April 1, 2024 by Scott M. Haskins

This blog post has been syndicated at ExpertClick.com. What does it mean that this article is “ syndicated”? See end of article for explanation.

by Scott M. Haskins, Art Conservator

Salt Lake City – Art restoration of heirloom oil paintings is a vexing problem to think about because not many people really know the science and the professionalism required to do the right job. I often meet with people throughout Utah to discuss painting conservation questions for works of inherited treasures at people’s homes and offices (we pick up and deliver with people I meet). And this last week I even consulted for a couple of projects for the City of Salt Lake.

Here’s a testimonial from one of our clients last week that wanted to reassure you that it was an interesting and stimulating process to discuss your preservation questions with us:

Watch this video on YouTube

Artworks and heirlooms being passed down to the next generation are full of memories… “triggers” for good family history stories and I always enjoy speaking with people about their family heirlooms. These types of items with positive vibes help people to remember their loved ones. But even though these types of items have most often been treasured, once they change hands as they have been passed down in the family, I am often asked, “Is it worth restoring?”

How can something be priceless when its not worth anything? What is worth saving and protecting of our “stuff?” Some people “get it” at a DNA level that family history is important for lots of profound reasons and some of those reasons are multigenerational. Other need some time to come to their senses.

Some people would have just thrown this keepsake from grandparents away!

Consider that there are three types of value I urge you to consider: 1. financial value, 2. emotional value and/or 3. historical value to be considered. It’s doubly nice when your emotional ties or historical connection, like with a family heirloom, is also a really nice work of art. Affecting value, is the condition and the needed oil painting restoration (painting conservation, art conservation, art restoration) like rip repair, cleaning a painting, flaking paint repair.
This family in Pasadena, California is now handing down the treasures that the parents collected as their family grew. There are lots of memories. We were honored to preserve, restore and assist them with a couple of dozen items. This is their quick testimonial.

Watch this video on YouTube

BEFORE someone tosses your family heirloom painting in the trash, give me a call!! Here’s my mobile 805 570 4140

Here is our webpage for other testimonials. Scroll down the page… I think you’ll find several of the examples interesting and entertaining: https://www.FineArtConservationLab.com/testimonials

Here is our YouTube playlist of other testimonials for family heirlooms: https://www.youtube.com/playlist?list=PL41D80C1C65FF2CE7

This painting exhibits warping from water damage, as well as flaking and discoloration

This painting was neglected in a storage area that took on water, damaging more than just a few boxes of stuff. Memories, family history and family member’s hearts were damaged. But as hopeless as this flaking and discoloration may seem, give us a call to discuss 805 564 3438

Article Syndication Graphic.jpg

This blog post has been syndicated at ExpertClick.com. What does it mean that this article is “ syndicated”? See end of article for explanation.

Its a bit of a coup to get an article syndicated, and its certainly prestigious, as additional “proof” that the info and the author are considered far and wide authoritative and an expert in the field. So, enjoy and trust our content!! This article was syndicated for USA national redistribution.

When something is published, usually by a news source, and is made available through different venues for redistribution then it is said to be syndicated. Publications that are syndicated are usually considered of value as being from an expert, educational, new worthy or valuable for wide popular interest. See syndication page at the renowned publicity site: https://www.expertclick.com/NRWire/Releasedetails.aspx?id=303362

This website’s syndication included:

1) Included in the ExpertClick Press Room as a ‘press release.’ (different than a ‘news release’)

2) Included in the ‘Speaker Bureau Platform Page.’

3) Shown on the front page of ExpertClick, in rotation with other most recent posts.

4) Shown in the ‘News Release Results page.’

5) Included on optimized for searches on all my topics of expertise.

6) Shown via RSS linked from the Press Room. (A specific way news is actively distributed within the industry)

7) Shown in the full RSS feed from ExpertClick. (Another, different specific way news is actively distributed within the industry)

8) Syndicated to LexisNexis.com As of 2006, the company had the world’s largest electronic database for legal and public-records related information, distributor of academic content and expert opinion.

This article has been syndicated at https://www.expertclick.com/NRWire/Releasedetails.aspx?id=303362

Posted in Disaster/Emergency Response, In Lab, Painting on canvas | Tagged Restore heirlooms | Leave a comment

Your Art Collection and Flooding: Preventing Water Damage from rains in Santa Barbara, Los Angeles, and Orange County

Posted on April 1, 2024 by Flora Arguilla

Are you concerned about the effect of flooding on your art collection? This article is for you. As torrential rains and floods wreak havoc in regions like Los Angeles County, Orange County, and Santa Barbara, art collectors face a significant risk: water damage to their prized paintings and artwork. From cherished family heirlooms to valuable masterpieces, the threat of water-damaged paintings and artwork looms large, posing a potential threat to the artworks. Here are some essential tips to safeguard your collection and prevent water damage to your paintings.

Understanding the Risk of Water Damage to Paintings and Art

The current weather conditions, increases significantly the risk of water damage to artwork. Floodwaters can seep into homes, causing damage to paintings, whether they are displayed prominently or stored in basements or attics. It’s crucial to recognize the potential dangers posed by flooding and take proactive measures to protect your art collection.

Learn to protect your artwork from water damage so you know what to do if this happens to your home!

Assessing Vulnerabilities

Begin by assessing the vulnerabilities of your home or art storage space. Identify areas prone to water intrusion, such as basements, ground-level rooms, or areas near windows and doors. Inspect for signs of existing water damage, such as dampness, mold growth, or discoloration on walls and ceilings. Understanding these vulnerabilities will help you develop a targeted strategy to mitigate the risk of water damage.

Implementing Protective Measures Against Water Damaged Art

Take steps to protect your artwork from water damage. Install drainage systems, such as gutters and downspouts, to direct rainwater away from your home’s foundation. Seal windows and doors to prevent water intrusion during heavy rainfall. Consider investing in flood barriers or sandbags to create a protective barrier around your home in flood-prone areas. Additionally, elevate valuable artworks to higher ground or store them in waterproof containers to minimize the risk of water exposure.

Maintaining Climate Control

Maintain stable indoor humidity levels to prevent moisture buildup, which can lead to mold growth and deterioration of artwork. Consider speaking to a professional art conservator about the ideal humidity and temperature levels for your artwork. Use dehumidifiers and air conditioning systems to regulate humidity levels, especially in areas with high humidity or during periods of heavy rainfall. Proper ventilation is essential to ensure air circulation and prevent condensation, which can contribute to water damage. Many art collectors choose professional art storage facilities for their pieces that are not on display.

flat boxes organized in a sturdy, gray, metal shelving unit

ensuring a proper storage environment for your artwork is a key part of preventing water-damaged paintings and artwork

Seeking Professional Assistance

In the event of water damage to your artwork, seek immediate assistance from professional art conservators like Scott M. Haskins and his team at FACL, Inc. Their expertise in water damage restoration can help salvage and restore water-damaged paintings, preserving their beauty and historical significance. With specialized techniques and equipment, they can assess the extent of the damage, remove moisture, and treat affected artwork to prevent further deterioration.

By taking proactive measures and seeking professional assistance when needed, art collectors can minimize the risk of water damage to their paintings and artwork. With careful planning and preparation, you can protect your art collection from the devastating effects of floods and rain, ensuring that your prized possessions remain safe and preserved for future generations.

Remember, prevention is key to preserving the beauty and integrity of your artwork. Stay vigilant, stay prepared, and safeguard your art collection from water damage in flood-prone areas.

Has the Rain Already Damaged Your Paintings? We Can Help with an Insurance Claim!

Art conservator, Virginia Panizzon, cleaning water damage on paintings

Professional art conservators have the expertise to mitigate the effects of water damage on paintings.

This blog post has been syndicated at ExpertClick.com. What does it mean that this article is “ syndicated”?

When something is published, usually by a news source, and is made available through different venues for redistribution then it is said to be syndicated. Publications that are syndicated are usually considered of value as being from an expert, educational, new worthy, or valuable for wide popular interest. See the syndication page at the renowned publicity site: https://www.expertclick.com/NRWire/

This website’s syndication included:

1) Included in the ExpertClick Press Room as a ‘press release.’ (different than a ‘news release’)

2) Included in the ‘Speaker Bureau Platform Page.’

3) Shown on the front page of ExpertClick, in rotation with other most recent posts.

4) Shown in the ‘News Release Results page.’

5) Included on optimized for searches on all my topics of expertise.

6) Shown via RSS linked from the Press Room. (A specific way news is actively distributed within the industry)

7) Shown in the full RSS feed from ExpertClick. (Another, different specific way news is actively distributed within the industry)

This article has been syndicated at https://www.expertclick.com/NRWire/

Posted in Painting on canvas, Water Damage | Tagged art conservation, collection care, water damage | Leave a comment

Top 5 Art and Painting Restoration Tips for New Art Owners in Los Angeles County and Orange County, California

Posted on March 18, 2024 by Flora Arguilla

Whether you’ve inherited cherished artworks, are contemplating starting an art collection, or are a budding hobbyist art collector, understanding the fundamentals of art conservation is paramount to preserving the integrity and value of your precious pieces. Embarking on a journey as an art owner is an exhilarating endeavor, filled with boundless creativity and cultural enrichment. However, navigating the realm of art conservation-related issues can be daunting for newcomers. Here are the top five things that new art owners should know about art and painting restoration-related issues in Los Angeles County and Orange County, California.

Understanding the Importance of Art Conservation:

As a new art owner, recognizing the significance of art and painting restoration is crucial. Artworks are susceptible to various environmental factors, including humidity, temperature fluctuations, and light exposure, which can lead to deterioration over time. By prioritizing what’s known more formally as art conservation, you can prolong the lifespan of your collection and maintain its aesthetic and monetary value for generations to come.

Identifying Common Art and Painting Conservation Concerns

Familiarizing yourself with common conservation concerns empowers you to detect potential issues early on. Look out for signs of insect damage, such as surface distortions or visible holes, which can be prevalent in the mild climate of Southern California. Additionally, be mindful of factors like fading pigments, flaking paint, and unstable framing, as these can indicate underlying conservation issues that require prompt attention.

Seeking Professional Guidance and Expertise

When confronted with art and painting conservation-related challenges, don’t hesitate to seek professional guidance and expertise. Establishing relationships with reputable art conservators operating in your area, such as Los Angeles County or Orange County, California, is essential for addressing conservation issues effectively. These experts possess the knowledge, skills, and resources necessary to assess, diagnose, and remediate conservation concerns with precision and care.

Implementing Preventative Conservation Measures

Prevention is key when it comes to art conservation. Take proactive steps to safeguard your artworks by implementing preventative conservation measures. Store your pieces in a stable environment with controlled temperature and humidity levels, minimize exposure to direct sunlight, and handle artworks with care to prevent physical damage. By adopting these practices, you can mitigate the risk of conservation issues and preserve the longevity of your collection.

Educating Yourself Continuously

Art and painting conservation is an ever-evolving field, and staying informed about new developments and best practices is essential for art owners. Take advantage of educational resources, workshops, and seminars offered by museums, galleries, and conservation organizations in Los Angeles County and Orange County, California or by visiting an art conservator’s website, such as FACL’s. By continuously educating yourself about art conservation, you can make informed decisions regarding the care and preservation of your artworks.

Scott M. Haskins and Virginia Panizzon, veteran art conservators at Fine Art Conservation Laboratories

In conclusion, embarking on the journey of art ownership is a rewarding experience enriched by the beauty and cultural significance of artworks. By understanding the importance of art conservation, identifying common conservation concerns, seeking professional guidance, implementing preventative measures, and educating yourself continuously, you can navigate the complexities of art conservation-related issues with confidence and ensure the long-term preservation of your treasured collection in Los Angeles County and Orange County, California.

Has Your Art Already Been Damaged?

This blog post has been syndicated at ExpertClick.com. What does it mean that this article is “ syndicated”?

This website’s syndication included:

1) Included in the ExpertClick Press Room as a ‘press release.’ (different than a ‘news release’)

2) Included in the ‘Speaker Bureau Platform Page.’

3) Shown on the front page of ExpertClick, in rotation with other most recent posts.

4) Shown in the ‘News Release Results page.’

5) Included on optimized for searches on all my topics of expertise.

6) Shown via RSS linked from the Press Room. (A specific way news is actively distributed within the industry)

7) Shown in the full RSS feed from ExpertClick. (Another, different specific way news is actively distributed within the industry)

This article has been syndicated at https://www.expertclick.com/NRWire/

Posted in art restoration of family portraits, Art Storage and Transport, Painting on canvas | Tagged art conservation, collection care, Los Angeles | Leave a comment

Mural Restoration of Public Art and Saving Bees in North Hollywood’s Chandler Corridor

Posted on March 4, 2024 by Scott M. Haskins

This blog post has been syndicated at ExpertClick.com. What does it mean that this article is “ syndicated”? See end of article for explanation.

By Alice Taylor, FACL Conservation Technician

During the past few weeks, Fine Art Conservation Laboratories has had the unique experience of requiring the help of beekeepers to save a large beehive, part of a public art restoration project on “Hollywood Movie Crew,” a mural by Karl Abramovic located along the Chandler Corridor in North Hollywood, Los Angeles. The mural, measuring 15’ by 30’, was painted in 2001 as part of the City’s effort to create an outdoor, public art gallery along the Corridor. FACL and Art and Mural Conservator Scott M. Haskins were contracted by the City of Los Angeles’s Department of Cultural Affairs (DCA)in January 2024 to clean, remove graffiti and old varnish, and revarnish three of the Corridor’s high-quality murals.

“Hollywood Movie Crew” by Karl Abramovic (before art restoration services – photo from Yelp.com: https://www.yelp.com/biz/chandler-murals-los-angeles)

The issue involving the bees went unnoticed at first, as the mural was inspected toward the end of an overcast day when there was no activity around the hive. During a later visit, however, a small hole along the upper border became apparent. The hole was small—about the size of a half dollar coin—and seemed to be the entrance to a bee colony, as honey bees were swarming around it.

Beekeeper’s Removal, the company called to inspect the issue, said that the hive was gigantic: it had been forming for several years and probably consisted of over 10,000 bees. According to their expertise, the age of the hive was indicated by the black hue surrounding the hole.

Needless to say, the only option was to preserve the bee colony as well as the mural, and the DCA of Los Angeles and the building’s owner were both in agreement. Yet, the colony posed a major obstacle to the mural’s planned conservation treatments. The beekeepers explained that in order to safely remove and relocate the bees, they had to open up the wall, and it was unknown at first as to how large their hole would have to be. Would it only be one or two feet across, or would the size of the hive require them to take out a giant portion of the mural– up to ten feet? Either way, more work would be required on the mural than was initially anticipated.

Beekeeper’s Removal had to follow a specific process in order to safely remove and relocate the bees. After the wall was opened up, the beekeepers removed the wax and honey, separating the honeycombs into two different buckets. This was in order to locate the queen, a crucial component for a functioning beehive.

The queen bee is distinct in that she is the only female with fully-developed ovaries, so she alone has the responsibility of reproducing for the hive, sometimes laying up to 2,000 eggs per day! She also produces chemical scents that regulate the hive’s ability to function in harmony, quite literally making her the ruler of the colony. Because of this, worker bees tend to follow their queen, so Beekeeper’s Removal was able to tell when she had been removed from the mural, and the bucket the bees attached themselves to indicated where she was located.

Removing the bees (photo provided by Denver Dillon)

Removing the bees from the mural was a delicate process. Luckily, the beekeepers only had to open up a 1’ by 2’ area in the wall and a couple of other smaller holes. While filling and painting the holes had to be added to the mural’s treatment list, it allowed for the preservation of both the artwork and the beehive, and was undoubtedly worth the extra steps.

Of course, we at FACL know the importance of public art for local communities. However, saving the bee colony, rather than simply exterminating it, was also extremely important (for both the bees, and for us)! Because of their ability to pollinate, bees are the source behind one-third of the world’s food, making them essential for our survival. Even so, many bee populations are threatened, endangered, and/or actively declining due to threats such as pollution and climate change. So, whenever possible, problematic beehives should be dealt with by professionals who understand how to preserve the bees’ lives throughout the removal process. Ultimately, FACL was very content to be a part of this unique effort to save a very large and old colony and to do our part in promoting environmental conservation.

Here is the photo of the mural after extraction of the gargantuan beehive and then the mural’s restoration.

A comparison of the before condition of the 25 year old mural and what it’s stable, restored appearance after mural restoration treatments in 2024

Fine Art Conservation Laboratories has been saving murals since 1975, an effort which began in Italy and has continued to several countries and states within the U.S. Just recently, in the interim of the bee removal, an emergency project was accomplished in Oahu, Hawaii, where two large and historic murals were saved from demolition with the help of FACL and Scott M. Haskins. The murals were painted by Edward T. Grigware in 1958 and are known worldwide. Their loss would have been devastating had Scott not been consulted, assessed, and created a treatment plan that allowed them to be safely removed.

“Queen Kapiolani Defying the Goddess Pele” by Edward T. Grigware (before restoration and removal services – photo provided by Scott M. Haskins)

Removing each of the two 11’ x 33’ murals in five separate panels, just as they were originally installed by the artist (photo provided by Scott M. Haskins)

The work being undertaken on “Hollywood Movie Set” is in collaboration with the artist Karl Abramovic. Working with living artists to preserve, restore, or ensure the longevity of their works during their initial creation is something often done in collaboration with the local governments and municipalities who sponsor the public art. However, FACL consults on private projects as well.

Besides saving the bees that had made their home in Abramovic’s “Hollywood Movie Set,” the biggest takeaway from this mural restoration project for artists and those who maintain public art concerns the choice of varnish. This mural’s varnish, which was twenty years old, did a poor job of protecting the work and ended up looking very bad. The choice of product was made without consulting art restoration professionals, who carefully vet products for long term preservation, aging, and other issues. Hence, this mural has fallen apart rather quickly, despite its location in a very desirable place for preservation (no direct sun, for example).

Another instance of poorly chosen varnish can be seen in Porterville, California, on a beautiful mural sponsored by the city. The 100-foot mural, located in the downtown central park, utilized a bad quality varnish similar to the Hollywood Movie Set, which pulled apart the paint layers and required extensive work last year by the artist in addition to FACL’s stabilizing treatments.

“Marching Through Time” by Glen Hill

(after restoration – photo provided by Scott M. Haskins)

Original paint being pulled off the mural due to original coating varnish… in other words, always consult an art restoration professional when choosing varnish!

(Photo provided by Scott M. Haskins)

FACL offers professional consultations and art restoration services in the Los Angeles and Orange County areas, as well as in Santa Barbara County, Riverside, Carmel/Monterey, Las Vegas, and Utah. If you are seeking an expert opinion on your painting, mural, or other work of art, feel free to reach out to Scott M. Haskins:

Phone: (805) 570-4140

Email: faclartdoc@gmail.com

This blog post has been syndicated at ExpertClick.com. What does it mean that this article is “ syndicated”?

Its a bit of a coup to get an article syndicated, and its certainly prestigious, as additional “proof” that the info and the author are considered far and wide authoritative and an expert in the field. So, enjoy and trust our content!! This article was syndicated for USA national redistribution.

When something is published, usually by a news source, and is made available through different venues for redistribution then it is said to be syndicated. Publications that are syndicated are usually considered of value as being from an expert, educational, new worthy or valuable for wide popular interest. See syndication page at the renowned publicity site: https://www.expertclick.com/NRWire/

This website’s syndication included:

1) Included in the ExpertClick Press Room as a ‘press release.’ (different than a ‘news release’)

2) Included in the ‘Speaker Bureau Platform Page.’

3) Shown on the front page of ExpertClick, in rotation with other most recent posts.

4) Shown in the ‘News Release Results page.’

5) Included on optimized for searches on all my topics of expertise.

6) Shown via RSS linked from the Press Room. (A specific way news is actively distributed within the industry)

7) Shown in the full RSS feed from ExpertClick. (Another, different specific way news is actively distributed within the industry)

8) Syndicated to LexisNexis.com As of 2006, the company had the world’s largest electronic database for legal and public-records related information, distributor of academic content and expert opinion.

This article has been syndicated at https://www.expertclick.com/NRWire/

Sources:

https://www.beekeepersremoval.com/

https://www.iucnredlist.org/

https://www.clemson.edu/

Posted in Murals, Saving Public Art | Leave a comment

Identifying and Preventing Warping from Water Damage in Paintings in Santa Barbara, Thousand Oaks, Los Angeles, and Orange County

Posted on February 17, 2024 by Flora Arguilla

Are you noticing a slight curve or bend in your oil or acrylic paintings? Perhaps the frame seems slightly warped? Don’t overlook these signs, as they could indicate underlying issues that require attention. In this article, we’ll delve into how to identify warping from water damage in paintings and frames, focusing on potential causes prevalent in areas like Santa Barbara, Thousand Oaks, Los Angeles, and Orange County, which have experienced heavy rainfall recently.

Identifying Warping:

Warping from water damage in paintings can manifest in various ways, from slight distortions in the canvas or panel to noticeable bends in the frame. When examining your artwork, look for any irregularities in its shape or surface. Place the painting on a flat surface and observe if it lays completely flat or if there are areas where it lifts or curves upwards. Additionally, inspect the frame for any signs of bending or warping along its edges or corners.

This painting exhibits warping from water damage, as well as flaking and discoloration

Potential Causes of Warping:

Warping from water damage in paintings is a common issue that art collectors face. The recent heavy rainfall in areas like Santa Barbara, Thousand Oaks, Los Angeles, and Orange County can exacerbate this issue. When water seeps into the painting’s support structure, whether it’s canvas or wood panel, it can cause expansion and distortion. This expansion puts pressure on the paint layers, leading to warping over time. In frames, moisture absorption can cause the wood to swell and warp, affecting the overall shape and stability.

Preventing Warping:

To prevent warping from water damage in paintings, it’s essential to protect your artwork from humidity, especially in regions prone to heavy winter rainfall like Santa Barbara, Thousand Oaks, Los Angeles, and Orange County. Ensure proper storage in a controlled environment with stable humidity levels. Avoid hanging paintings in areas exposed to moisture, such as basements or near windows. Additionally, invest in quality framing materials that are resistant to warping and moisture damage. Improper storage can lead to a host of problems in your paintings, including water damage.

The warping on this painting is being relaxed with an art conservator's hot table.

The warping in this painting is being relaxed with an art conservator’s hot table.

Consulting a Conservator:

If you suspect warping from water damage in your paintings, it’s crucial to consult with an experienced art conservator. They can assess the extent of the damage and recommend appropriate conservation measures. Fine Art Conservation Laboratories’ conservators service the Santa Barbara, Thousand Oaks, Los Angeles, and Orange County areas and are well-versed in addressing water-related issues in artworks. Don’t hesitate to seek professional guidance to preserve the beauty and integrity of your precious pieces; unaddressed water damage can contribute to further deterioration of your precious artwork.

Warping from water damage is one of the many issues that this painting faces

By understanding how to identify warping and addressing potential causes like water damage, you can protect your oil and acrylic paintings from deterioration. Stay vigilant, especially in times of inclement weather, and consult with a conservator for expert advice tailored to your artwork’s needs.

Do you need help navigating the insurance claim process?

Do you have questions about water damage on acrylic and oil paintings? Please call 805-564-3438 or email flora.faclofficemanager@gmail.com.

This blog post has been syndicated at ExpertClick.com.

What does it mean that this article is “ syndicated”?
It’s a bit of a coup to get an article syndicated, and its certainly prestigious, as additional “proof” that the info and the author are considered far and wide authoritative and an expert in the field. So, enjoy and trust our content!! This article was syndicated for USA national redistribution.
When something is published, usually by a news source, and is made available through different venues for redistribution then it is said to be syndicated. Publications that are syndicated are usually considered of value as being from an expert, educational, new worthy or valuable for wide popular interest. See syndication page at the renowned publicity site: https://www.expertclick.com/NRWire/
This website’s syndication included:
1) Included in the ExpertClick Press Room as a ‘press release.’ (different than a ‘news release’)
2) Included in the ‘Speaker Bureau Platform Page.’
3) Shown on the front page of ExpertClick, in rotation with other most recent posts.
4) Shown in the ‘News Release Results page.’
5) Included on optimized for searches on all my topics of expertise.
6) Shown via RSS linked from the Press Room. (A specific way news is actively distributed within the industry)
7) Shown in the full RSS feed from ExpertClick. (Another, different specific way news is actively distributed within the industry)
8) Syndicated to LexisNexis.com As of 2006, the company had the world’s largest electronic database for legal and public-records related information, distributor of academic content and expert opinion.
This article has been syndicated at https://www.expertclick.com/NRWire/

Posted in Consultations, Disaster/Emergency Response, Painting on canvas | Tagged collection care, Los Angeles, painting conservation | 2 Comments

What to Do About Flaking on Oil or Acrylic Paintings

Posted on February 11, 2024 by Flora Arguilla

Have you noticed developing flaking on oil or acrylic paintings in your collection? If so, don’t worry! Your paintings are not doomed. Flaking is a common issue that art owners may encounter, particularly with paintings done in oil or acrylic. It’s a distressing sight to see paint coming off the surface, but understanding the potential causes of flaking and how to prevent it is crucial for preserving the integrity of your cherished artworks.

In addition flaking on oil and acrylic paintings, murals can also suffer this type of damage.

Causes of Flaking on Oil or Acrylic Paintings

Flaking on oil or acrylic paintings occurs when the bond between the layers of paint and the surface they’re applied to breaks down. There are several potential causes for this phenomenon:

Poor Adhesion: One of the primary reasons for flaking on oil or acrylic paint is poor adhesion between the paint layers and the surface they’re painted on. This can happen if the surface wasn’t adequately prepared before painting or if the wrong type of primer was used. Without a strong bond, the paint can easily peel away from the surface over time.
Moisture Damage: Exposure to excessive moisture or humidity is another common cause of flaking and other problems. When moisture seeps into the layers of paint, it can weaken the bond between them and the underlying surface. This is particularly problematic for paintings done on canvas, as the fabric is more susceptible to moisture damage than other surfaces.
Temperature Fluctuations: Extreme changes in temperature can also contribute to flaking on oil or acrylic paintings. When the materials in a painting expand and contract due to fluctuations in temperature, it puts stress on the paint layers. Over time, this stress can cause the paint to crack and eventually flake off.
Mechanical Damage: Physical impacts or abrasions can weaken the paint layers and cause them to flake off. This can happen during handling, transportation, or if the painting comes into contact with a rough surface.

Two family heirloom portraits are pictured. The one on the left depicting a Victorian woman has flaking running across the sitter’s face. The portrait of a man on the right needs to be cleaned of grime and other signs of weathering.

Preventing Flaking on Oil or Acrylic Paintings:

Preventing flaking requires proactive measures to protect the integrity of the paint layers and the surface they’re applied to:

Proper Storage: Store paintings in a controlled environment with stable temperature and humidity levels. Avoid hanging them in areas prone to moisture, such as basements, bathrooms, or near windows. Many collectors opt to store artwork that is not on display in professional art storage facilities.
Gentle Handling: Handle paintings with care, avoiding excessive pressure or touching the painted surface directly. Use protective coverings during transportation and storage to prevent physical damage.
Regular Inspection: Periodically inspect your paintings for any signs of flaking or deterioration. Early detection allows for prompt action to prevent further damage. If you notice any flaking or other issues, consult with an art conservator for professional advice.

Consulting an Art Conservator:

If you encounter flaking on your oil or acrylic paintings, it’s essential to seek guidance from an experienced art conservator. They have the expertise to assess the extent of the damage and recommend appropriate conservation treatments.

When discussing flaking with a conservator, provide details about the painting’s history, current condition, and any noticeable changes. Clear communication ensures the conservator understands the unique needs of your artwork and can provide tailored solutions to address flaking issues.

By understanding the potential causes of flaking and taking proactive measures to prevent it, you can protect your paintings and preserve them for future generations to enjoy.

In summary, flaking is a common issue that can affect paintings done in oil or acrylic. By understanding the causes of flaking and taking preventive measures, you can safeguard your cherished artworks and ensure their longevity. If you encounter flaking on your paintings, consult with an art conservator for professional guidance and conservation treatments tailored to your artwork’s specific needs.

a female art conservator applies a treatment to a mural that is laid out on a table

Julia Betancor working on WPA murals at Fine Art Conservation Laboratories with Scott M. Haskins

Do you have questions about flaking on oil or acrylic paintings? Call 805-564-3438 or text at 805-570-4140 or email at flora.faclofficemanager@gmail.com

Do you need help navigating the insurance claim process for artwork?

This blog post has been syndicated at ExpertClick.com.

What does it mean that this article is “ syndicated”?
It’s a bit of a coup to get an article syndicated, and its certainly prestigious, as additional “proof” that the info and the author are considered far and wide authoritative and an expert in the field. So, enjoy and trust our content!! This article was syndicated for USA national redistribution.
When something is published, usually by a news source, and is made available through different venues for redistribution then it is said to be syndicated. Publications that are syndicated are usually considered of value as being from an expert, educational, new worthy or valuable for wide popular interest. See syndication page at the renowned publicity site: https://www.expertclick.com/NRWire/
This website’s syndication included:
1) Included in the ExpertClick Press Room as a ‘press release.’ (different than a ‘news release’)
2) Included in the ‘Speaker Bureau Platform Page.’
3) Shown on the front page of ExpertClick, in rotation with other most recent posts.
4) Shown in the ‘News Release Results page.’
5) Included on optimized for searches on all my topics of expertise.
6) Shown via RSS linked from the Press Room. (A specific way news is actively distributed within the industry)
7) Shown in the full RSS feed from ExpertClick. (Another, different specific way news is actively distributed within the industry)
8) Syndicated to LexisNexis.com As of 2006, the company had the world’s largest electronic database for legal and public-records related information, distributor of academic content and expert opinion.
This article has been syndicated at https://www.expertclick.com/NRWire/

Posted in Art Storage and Transport, Painting on canvas, Water Damage | Tagged art conservation, collection care, water damage | Leave a comment

Identifying and Preventing Water Damage on Paintings in Rainy Santa Barbara and Los Angeles

Posted on February 2, 2024 by Flora Arguilla

Has the rainy weather in the Santa Barbara and Los Angeles areas left you with water damage on paintings? Do you see signs of mold, flaking, blistering, discoloration, or warping on your artwork? Don’t fret! This article is for you.

Rainy weather might be great for the environment, but it unfortunately might put artworks at risk. Understanding how to spot and prevent water damage on paintings and other artworks is crucial for art collectors. Water damage on paintings is often subtle, and early detection is the key to preserving your valuable pieces. Here’s a guide to help you navigate the potential risks, protect your art, and engage with art conservation professionals.

Here’s an example of water damage on paintings: stains, vast areas of fogged or bloomed varnish and crystallization of varnish resin.

Spotting Water Damage:

Water damage to paintings can manifest in various ways, from discoloration and warping to mold growth. Keep a keen eye on any changes in the paint surface, such as flaking or blistering, as these may indicate exposure to moisture. Discoloration, often appearing as yellow or brown stains, is another sign of water damage. Check the back of the artwork for signs of mold, which thrives in damp conditions. If you notice any of these signs, it’s time to take action and consult with an art conservation professional.

Preventing Water Damage:

Prevention starts with proper storage and display. Ensure your artworks are not in direct contact with walls, and keep them away from windows and doors where water can seep in. Since the Los Angeles, Santa Barbara, and other areas in Souther California are receiving a lot of rain recently, it’s important to maintain stable humidity levels in your art storage space, as fluctuations can contribute to water damage. During rainy seasons, consider using dehumidifiers and inspecting your storage area for leaks. Regularly check the condition of your roof and windows to prevent water intrusion.

Climate control is very important for preventing water damage on paintings

Engaging with Art Conservation Professionals:

If you suspect that you have water damage on paintings or other artworks, consult with an art conservation professional promptly. Keep in mind that every art conservation/ restoration project is different, so an expert is needed to determine the appropriate treatments for your artwork. They have the expertise to assess the extent of the damage and recommend appropriate restoration measures. When reaching out to a conservator, provide detailed information about the artwork, including its dimensions, history, current condition, and any noticeable changes. Clear communication ensures the conservator understands the unique needs of your artwork.

art conservator inpainting repaired area of water stains on a a painting

Professional art conservators have the expertise to mitigate the effects of water damage on paintings and other artworks

Tip Summary:

Water Damage Identification: Learn to recognize signs of water damage on paintings like discoloration, warping, and mold growth.
Preventive Measures: Protect your art by ensuring proper storage, stable humidity levels, and regular maintenance.
Consulting Conservators: Engage with art conservation professionals promptly for expert assessment and restoration.

Has the water already gotten to your artwork? Fine Art Conservation Laboratories can help with your insurance claim!

This blog post has been syndicated at ExpertClick.com. What does it mean that this article is “ syndicated”?

This website’s syndication included:

1) Included in the ExpertClick Press Room as a ‘press release.’ (different than a ‘news release’)

2) Included in the ‘Speaker Bureau Platform Page.’

3) Shown on the front page of ExpertClick, in rotation with other most recent posts.

4) Shown in the ‘News Release Results page.’

5) Included on optimized for searches on all my topics of expertise.

6) Shown via RSS linked from the Press Room. (A specific way news is actively distributed within the industry)

7) Shown in the full RSS feed from ExpertClick. (Another, different specific way news is actively distributed within the industry)

This article has been syndicated at https://www.expertclick.com/NRWire/

Posted in Art Storage and Transport, Painting on canvas, Water Damage | Tagged art conservation, painting conservation, water damage | Leave a comment

What is my Collectible Worth? What is the opinion of an expert worth?

Posted on January 30, 2024 by Scott M. Haskins

This blog post has been syndicated at https://www.expertclick.com/NRWire/Releasedetails.aspx?id=302112

What does it mean that this article is “ syndicated”? See end of article for explanation.BTW, that is not a cigarette in my hand, lol. I don’t smoke. Its for measuring the pH of paper.

What is your collectible worth? OK, time for a teaching moment regarding several lessons. On this project and with this client, I consulted with her (a valuable service) on what her purposes or objectives were with the artwork (she wants to sell it)… but there was a ripple in the paper. Her opinion is that it should bring about $50,000 at auction but she can’t see getting the best price with the warp in the paper. I told her that I would have to take it out of its plexiglass frame in order to determine what the problem is. That seemed OK as she was also open to putting a new frame on it since this old plexiglass box frame was coming apart at the seams. I picked up the artwork at her house (valuable service).

When I took the artwork out of the frame at our lab, I found out that ripples in the paper would occur because the artwork was not mounted down to a solid support or a backing board. In other words, it was in virgin condition as the artist provided it to the art gallery. The artist and the art gallery had also decided on the framing which was designed, specific, and was kind of cool. Just the same, I got an estimate to have a new plexiglass box frame made, and I could not find anyone who would do it exactly like the old frame, nor with the more robust materials of the old frame. I also found out that a new cheaper quality frame, which was not as stylish, would cost quite a bit of money.

So, over the phone, I consulted again with the client about the value of letting me repair the original frame, and to not mount the artwork to remove ripples, because with the artwork in original vintage, virgin condition, and the original vintage frame, as chosen by the artist and the gallery, that this combination would make it highly desirable at auction, and might even result in a premium or higher price because of its completely original nature. so I fixed the plexiglass box frame and reinstalled the artwork, unmounted with ripples back into the frame. Then we hand delivered it back to the residence of the owner, here was her response…

I reminded her over the phone that we had gone over these details as they came up, and that every step along the way we had made decisions that would be to her advantage with the resale of the artwork. While I am not an appraiser, I told her, mounting the artwork to a board to remove the ripples and not using the original frame could have impacted the sale at auction by at least 50% less.… which was only a guess.

Her response? “I am not going to believe that ripples or distortions occur in paper just because the weather changes! What do you think I am, stupid?” And then she hung up on me.

Well, there’s no answer to that last question that’s going to calm her down or change her mind so…

But if her estimate of $50,000 is truly the amount that this artwork could bring at auction, then I may have saved her $15-$20,000 reduction in the sales price. There are lots of reasons why something sells for more or less at an auction, but very often the condition of the artwork is a factor that can cause the auction sales to be exciting… or to fall flat.

I think I’ll end this lesson right here… otherwise…

Questions about your artwork’s maintenance, framing, care, restoration, shipping, display, storage, etc? Call Scott M. Haskins or Virginia Panizzon at 805 564 3438

Article Syndication

This blog post has been syndicated at ExpertClick.com What does it mean that this article is “ syndicated”?

Its a bit of a coup to get an article syndicated, and its certainly prestigious, as additional “proof” that the info and the author are considered far and wide authoritative and an expert in the field. So, enjoy and trust our content!! This article was syndicated for USA national redistribution.

When something is published, usually by a news source, and is made available through different venues for redistribution then it is said to be syndicated. Publications that are syndicated are usually considered of value as being from an expert, educational, new worthy or valuable for wide popular interest. See syndication page at the renowned publicity site: https://www.expertclick.com/https://www.expertclick.com/NRWire/Releasedetails.aspx?id=302112

This website’s syndication included:

1) Included in the ExpertClick Press Room as a ‘press release.’ (different than a ‘news release’)

2) Included in the ‘Speaker Bureau Platform Page.’

3) Shown on the front page of ExpertClick, in rotation with other most recent posts.

4) Shown in the ‘News Release Results page.’

5) Included on optimized for searches on all my topics of expertise.

6) Shown via RSS linked from the Press Room. (A specific way news is actively distributed within the industry)

7) Shown in the full RSS feed from ExpertClick. (Another, different specific way news is actively distributed within the industry)

This article has been syndicated at https://www.expertclick.com/NRWire/Releasedetails.aspx?id=302112

Posted in Consultations | Tagged Fine Art Conservation Laboratories | 12 Comments

Mastering the Art of Collection: Expert Tips for Collectors on Art Insurance and Preservation

Posted on January 18, 2024 by Flora Arguilla

Art you new to art collecting? Have you recently inherited an estate? Art you a seasoned art collector looking to further protect your collection? This article is for you!

Delving into the world of art insurance and collection is a journey that transcends mere acquisition—it’s about creating and safeguarding a legacy. For art enthusiasts keen on gathering insights into effective art collection, preservation, and art insurance strategies, this guide offers valuable tips to ensure your prized artworks stand the test of time.

a white man looks into a microscope to evaluate a painting's condition for an art insurance claim

FACL’s head art conservator, Scott M. Haskins, evaluates the condition of an heirloom painting

Nurturing Your Art Collection

Art collection is an art in itself. Beyond the joy of acquiring pieces, it involves the responsibility of preserving and protecting your artistic treasures. Embrace these proactive strategies to nurture and safeguard your art collection for years to come.

Fusion of Preservation and Estate Planning

Preserving your art legacy involves more than aesthetic considerations; it’s an integral part of estate planning. By seamlessly integrating preservation practices into your estate plan, you ensure a smooth transition of your art treasures to future generations. Engage with seasoned appraisers and art conservation experts to weave conservation into your broader estate planning narrative.

Decoding Art Insurance for Collectors

Understanding the intricacies of art insurance policies is a crucial aspect of being an art enthusiast. Dive into the nuances of scheduled rider coverage, differentiate between depreciable and appreciable contents, and grasp the implications of replacement cost versus market value. Regularly reviewing your insurance appraisals with experts keeps you abreast of market trends, ensuring your collection is adequately protected.

three people in lab coats evaluate and treat a large statue of a seated Buddha for an art insurance claim

Get any type of artwork insured. From paintings to sculptures, protection of your valuables is invaluable!

Do you need further guidance about insurance claims for art? FACL has got you covered

Fine Art Conservation Laboratories’ 45 years of expertise in preserving and restoring art offers invaluable help and practical knowledge for helping people through the insurance claim process for damaged collectibles and art pieces. Our experienced team understands the complexities of art insurance claims related to art, heirlooms, and antiques, providing reports that are properly prepared with information that the insurance company never puts in doubt. Fine Art Conservation Laboratories charges flat fees for this work, not a percentage of the claim settlement, and our insurance expertise is appreciated nationwide. Let us help make the art, heirloom, and collectible part of the insurance claim process as seamless as possible and preserve your peace of mind.

Strategic Art Donations as a Philanthropic Endeavor

Art enthusiasts can extend their passion beyond personal enjoyment through strategic art donations. While the act of giving is noble, navigating the current landscape, marked by an oversupply of donated items, requires a savvy approach. Leverage local networks, explore online sharing platforms, and collaborate with organizations in need to optimize the positive impact of your philanthropic endeavors.

Crafting a Lasting Legacy Through Art Provenance

The stories behind each artwork, encapsulated in provenance, add a layer of richness to your collection. Provenance is the recorded journey of an artwork from its origin through its owners to the present day. Those in the art industry use this information to provide more context for a work. An object’s story might include a famous collector or a period when it was part of a larger collection. Documenting these narratives through professional photography and video tours not only immortalizes the essence of each piece but also serves as a valuable asset for heirs, estate planning, and art insurance considerations.

a man and a woman examine a vase with a magnifying glass for art insurance claims

Provenance is an important factor that contributes to the value of an art piece

Key Takeaways for Art Enthusiasts

Proactive Preservation: Embrace ongoing preservation practices to proactively safeguard your art collection.

Seamless Estate Integration: Include art preservation into your estate plan for a smooth transition to future generations.

Insurance Savvy: Understand insurance intricacies, regularly reviewing policies to align with the market value of your art collection.

Philanthropic Impact: Explore strategic donation avenues, leveraging local networks and online platforms for a meaningful philanthropic impact.

Documented Provenance: Create a documented provenance archive through professional mediums, serving both sentimental and practical purposes.

Mastering the art of collection involves a harmonious blend of preservation, insurance savvy, and strategic philanthropy. By adopting these expert tips, art enthusiasts enhance their personal enjoyment of their collection and contribute to a broader narrative of cultural preservation.

To learn more about painting and mural conservation as well as our provided services, visit the FACL website!

This blog post has been syndicated at ExpertClick.com. What does it mean that this article is “ syndicated”?

This website’s syndication included:

1) Included in the ExpertClick Press Room as a ‘press release.’ (different than a ‘news release’)

2) Included in the ‘Speaker Bureau Platform Page.’

3) Shown on the front page of ExpertClick, in rotation with other most recent posts.

4) Shown in the ‘News Release Results page.’

5) Included on optimized for searches on all my topics of expertise.

6) Shown via RSS linked from the Press Room. (A specific way news is actively distributed within the industry)

7) Shown in the full RSS feed from ExpertClick. (Another, different specific way news is actively distributed within the industry)

This article has been syndicated at https://www.expertclick.com/NRWire/

Posted in Consulation, Insurance | Tagged collection care, Consultation on Art Related Matters | Leave a comment